Aline Smithson, Author at LENSCRATCH

Depth of Field curated by rfotofolio by Aline SmithsonAugust 13th, 2015

Mask 2 ©Willie Osterman

Rfotofolio founders Connie and Jerry Rosenthal have been supporting and celebrating photography and photographers for some time.

Robert Gallegos: Auténtico by Aline SmithsonAugust 12th, 2015

©Robert Gallegos, Me (as a landscaper), 2011

Robert Gallegos has created a project about self-identity that reflects the experiences of a hypen-American, in his case, a Mexican-American.

Marc McAndrews: Newscasters by Aline SmithsonAugust 11th, 2015

©Marc McAndrews

Marc McAndrews is a well-regarded photo journalist who examines American cultures and institutions.

Ken Weingart interviews Jill Greenberg by Aline SmithsonAugust 10th, 2015

©Jill Greenberg

Today, I am sharing an interview that photographer and blogger, Ken Weingart conducted with photographer Jill Greenberg.

Photolucida: Max Kellenberger: Carry by Aline SmithsonAugust 8th, 2015

©Max Kellenberger, Lady in High Heels

Max Kellenberger‘s project Carry is a metaphor for the mental baggage we haul through life.

Tacos and Tiaras at the Robert Klein Gallery by Aline SmithsonAugust 7th, 2015

©Jim Dow, Tacos Jessica, East Los Angeles, California, 2009

©Yousuf Karsh, Princess Grace, 1956

The Robert Klein Gallery has a current offering of dual exhibitions that are delicious i

Photolucida: Benjamin Dimmitt : Primitive Florida by Aline SmithsonAugust 6th, 2015

©Benjamin Dimmitt

I first encountered Benjamin Dimmitt‘s striking landscapes when Alexa Dilworth and I jurored one of his photographs into the Slow Exposures Exhibition last year.

Photolucida: Lydia Panas: Longing in Black by Aline SmithsonAugust 5th, 2015

©Lydia Panas, Elexia

The mark of a great portrait photographer is when their subject reveals an essence not intended for the camera, but instead, pulls back the curtain on who they are, i

Photolucida: Nicole Jean Hill: Unarmed by Aline SmithsonAugust 3rd, 2015

Nicole Jean Hill takes Mixed Martial Arts to new arenas, capturing the violence and conflict, yet reinterpreting the sport into striking portraits and tableaux of bodie