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	<title>LENSCRATCH &#187; Eric Antoine</title>
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	<description>Fine Art Photography Daily</description>
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		<title>Alternative Process Week: Eric Antoine: Wet plate collodion</title>
		<link>https://lenscratch.com/2014/06/alternative-process-week-eric-antoine-wet-plate-collodion/</link>
		<comments>https://lenscratch.com/2014/06/alternative-process-week-eric-antoine-wet-plate-collodion/#comments</comments>
		<pubDate>Thu, 12 Jun 2014 10:00:16 +0000</pubDate>
		<dc:creator><![CDATA[Kat Kiernan]]></dc:creator>
				<category><![CDATA[Alternative Process]]></category>
		<category><![CDATA[Narrative]]></category>
		<category><![CDATA[Nudes]]></category>
		<category><![CDATA[Eric Antoine]]></category>
		<category><![CDATA[Wet plate Collodian]]></category>

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		<description><![CDATA[<img src="https://lenscratch.com/wp-content/uploads/2014/05/la-condition-651x481.jpg" class="attachment-large wp-post-image" alt="la condition" style="display: block; margin-bottom: 5px; clear:both;" /><p>This week Guest Editor and photographer Kat Kiernan shares the work of photographers working in alternative processes. Wet plate collodion is a 19th century process witnessing a revival. Traditionally a glass or tin surface is coated with light-sensitive chemistry, exposed in camera, and developed while the chemistry is still wet. The entire process is often</p>
<p>View the rest of <a rel="nofollow" href="https://lenscratch.com/2014/06/alternative-process-week-eric-antoine-wet-plate-collodion/">Alternative Process Week: Eric Antoine: Wet plate collodion</a> on <a rel="nofollow" href="https://lenscratch.com">LENSCRATCH</a>.</p>
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