<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>LENSCRATCH &#187; memento mori</title>
	<atom:link href="https://lenscratch.com/tag/memento-mori/feed/" rel="self" type="application/rss+xml" />
	<link>https://lenscratch.com</link>
	<description>Fine Art Photography Daily</description>
	<lastBuildDate>Thu, 30 Apr 2026 00:06:11 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=4.2.38</generator>
	<item>
		<title>Figure Studies: Kaitlyn Danielson: The Body as a Trace</title>
		<link>https://lenscratch.com/2021/11/figure-studies-kaitlyn-danielson-the-body-as-a-trace/</link>
		<comments>https://lenscratch.com/2021/11/figure-studies-kaitlyn-danielson-the-body-as-a-trace/#comments</comments>
		<pubDate>Fri, 19 Nov 2021 11:00:40 +0000</pubDate>
		<dc:creator><![CDATA[Galina Kurlat]]></dc:creator>
				<category><![CDATA[Abstract]]></category>
		<category><![CDATA[Alternative Process]]></category>
		<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Kaitlyn Danielson]]></category>
		<category><![CDATA[memento mori]]></category>
		<category><![CDATA[Photograms]]></category>
		<category><![CDATA[Wet plate Collodian]]></category>

		<guid isPermaLink="false">http://lenscratch.com/?p=150013</guid>
		<description><![CDATA[<img src="https://lenscratch.com/wp-content/uploads/2021/11/Danielson_Untitled_Breath_1-651x521.jpg" class="attachment-large wp-post-image" alt="Danielson_Untitled_(Breath)_1" style="display: block; margin-bottom: 5px; clear:both;" /><p>This week in Lenscratch, we look at the work of seven artists, exploring the many iterations of the body in photography. In Kaitlyn Danielson’s seemingly ephemeral ambrotypes, the body is evident only through remnants of the breath. Much like the memento mori of 19th-century photographers, Danielson reminds us that we are mortal, fragile creatures dependent</p>
<p>View the rest of <a rel="nofollow" href="https://lenscratch.com/2021/11/figure-studies-kaitlyn-danielson-the-body-as-a-trace/">Figure Studies: Kaitlyn Danielson: The Body as a Trace</a> on <a rel="nofollow" href="https://lenscratch.com">LENSCRATCH</a>.</p>
]]></description>
		<wfw:commentRss>https://lenscratch.com/2021/11/figure-studies-kaitlyn-danielson-the-body-as-a-trace/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
