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	<title>LENSCRATCH &#187; Tom Zimberoff</title>
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		<title>Tom Zimberoff: The White Fence and more..</title>
		<link>https://lenscratch.com/2026/03/tom-zimberoff-the-white-fence-and-more/</link>
		<comments>https://lenscratch.com/2026/03/tom-zimberoff-the-white-fence-and-more/#comments</comments>
		<pubDate>Mon, 02 Mar 2026 11:00:53 +0000</pubDate>
		<dc:creator><![CDATA[Aline Smithson]]></dc:creator>
				<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Tom Zimberoff]]></category>

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		<description><![CDATA[<img src="https://lenscratch.com/wp-content/uploads/2026/03/Zimberoff_Carlos-554x700.jpg" class="attachment-large wp-post-image" alt="camh-dob-019694" style="display: block; margin-bottom: 5px; clear:both;" /><p>After yesterday’s Black and White Portrait exhibition, today continues our exploration of faces in monochrome. As an Angeleno, I was excited to discover the photographs of Tom Zimberoff, particularly his project on Mexican-American immigrants in East LA, through his recognition in the 2025 Critical Mass Top 50. We met at the opening at the Duncan Miller Gallery and shared</p>
<p>View the rest of <a rel="nofollow" href="https://lenscratch.com/2026/03/tom-zimberoff-the-white-fence-and-more/">Tom Zimberoff: The White Fence and more..</a> on <a rel="nofollow" href="https://lenscratch.com">LENSCRATCH</a>.</p>
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