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	<title>LENSCRATCH &#187; Allison Barnes</title>
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		<title>Allison Barnes: Neither For Me Honey Nor The Honey Bee &amp; Autobiogeography</title>
		<link>http://lenscratch.com/2013/10/allison-barnes/</link>
		<comments>http://lenscratch.com/2013/10/allison-barnes/#comments</comments>
		<pubDate>Sat, 19 Oct 2013 10:00:51 +0000</pubDate>
		<dc:creator><![CDATA[Aline Smithson]]></dc:creator>
				<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Narrative]]></category>
		<category><![CDATA[Nature]]></category>
		<category><![CDATA[Allison Barnes]]></category>
		<category><![CDATA[Black and White]]></category>
		<category><![CDATA[Large Format]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2013/10/12_Barnes.jpg" class="attachment-large wp-post-image" alt="12_Barnes" style="display: block; margin-bottom: 5px; clear:both;" /><p>Looking at work seen at the Filter Photo Festival It&#8217;s always a pleasure to see well crafted, beautiful silver gelatin prints, especially photographs that were shot with a large format camera and a filled will nuance and detail.  Photographer Allison Barnes brought two portfolios to the Filter Photo Festival, Neither For Me Honey Nor The</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2013/10/allison-barnes/">Allison Barnes: Neither For Me Honey Nor The Honey Bee &#038; Autobiogeography</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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