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	<title>LENSCRATCH &#187; Alyssa Salomon</title>
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		<title>Alternative Process Week: Alyssa Salomon: Cyanotype</title>
		<link>http://lenscratch.com/2014/06/alternative-process-week-alyssa-salomon-cyanotype/</link>
		<comments>http://lenscratch.com/2014/06/alternative-process-week-alyssa-salomon-cyanotype/#comments</comments>
		<pubDate>Fri, 13 Jun 2014 10:00:16 +0000</pubDate>
		<dc:creator><![CDATA[Kat Kiernan]]></dc:creator>
				<category><![CDATA[Alternative Process]]></category>
		<category><![CDATA[Alyssa Salomon]]></category>
		<category><![CDATA[Cyanotype]]></category>
		<category><![CDATA[Water]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2014/05/Salomon-Alyssa-these-wild-ecstasies-for-A-Siskin-651x440.jpg" class="attachment-large wp-post-image" alt="Salomon, Alyssa - these wild ecstasies (for A Siskin)" style="display: block; margin-bottom: 5px; clear:both;" /><p>This week Guest Editor and photographer Kat Kiernan shares the work of photographers working in alternative processes. One of the earliest photographic processes, cyanotypes are known for their rich Prussian blue color. Two chemicals are mixed in equal parts and brushed by hand onto a surface. The negative is then contact printed in UV light</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2014/06/alternative-process-week-alyssa-salomon-cyanotype/">Alternative Process Week: Alyssa Salomon: Cyanotype</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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