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	<title>LENSCRATCH &#187; Cuba</title>
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		<title>Interdisciplinary Approaches in Photography: José A. Betancourt</title>
		<link>http://lenscratch.com/2022/05/jose-betancourt/</link>
		<comments>http://lenscratch.com/2022/05/jose-betancourt/#comments</comments>
		<pubDate>Sat, 21 May 2022 10:00:08 +0000</pubDate>
		<dc:creator><![CDATA[Greg Banks]]></dc:creator>
				<category><![CDATA[Alternative Process]]></category>
		<category><![CDATA[Collage]]></category>
		<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Constructed Realities]]></category>
		<category><![CDATA[Narrative]]></category>
		<category><![CDATA[Cuba]]></category>
		<category><![CDATA[Greg Banks]]></category>
		<category><![CDATA[José Betancourt]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2022/05/Betancourt_Expedito-651x300.jpg" class="attachment-large wp-post-image" alt="Betancourt_Expedito" style="display: block; margin-bottom: 5px; clear:both;" /><p>This collage started out to show the process of choosing pictures for the exhibition and trying to identify the people in them. The technique of using white and black opaques to mask out images was used in the newspaper industry throughout the 1950s and 60s. Initially I wanted to have the look that you would</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2022/05/jose-betancourt/">Interdisciplinary Approaches in Photography: José A. Betancourt</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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