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	<title>LENSCRATCH &#187; Embroidery</title>
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		<title>Alina Saranti: Far From</title>
		<link>http://lenscratch.com/2025/05/alina-saranti-far-from-2/</link>
		<comments>http://lenscratch.com/2025/05/alina-saranti-far-from-2/#comments</comments>
		<pubDate>Fri, 30 May 2025 10:00:48 +0000</pubDate>
		<dc:creator><![CDATA[Aline Smithson]]></dc:creator>
				<category><![CDATA[Alternative Process]]></category>
		<category><![CDATA[Gallery Exhibition]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Alina Saranti]]></category>
		<category><![CDATA[Embroidery]]></category>
		<category><![CDATA[The West]]></category>

		<guid isPermaLink="false">http://lenscratch.com/?p=194492</guid>
		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2025/05/saranti_farfrom1-651x432.jpg" class="attachment-large wp-post-image" alt="saranti_farfrom1" style="display: block; margin-bottom: 5px; clear:both;" /><p>I am drawing on the history of embroidery as both a symbol of female submission and a weapon of resistance for women, and overlaying that to the masculinity of landscape photography and the American West. Alina Saranti has lived in many places, always searching for a sense of home in each one. For the past several</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2025/05/alina-saranti-far-from-2/">Alina Saranti: Far From</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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