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	<title>LENSCRATCH &#187; Hyacinth Schukis</title>
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		<title>Focus on Appropriation: Hyacinth Schukis</title>
		<link>http://lenscratch.com/2021/02/focus-on-appropriation-hyacinth-schukis/</link>
		<comments>http://lenscratch.com/2021/02/focus-on-appropriation-hyacinth-schukis/#comments</comments>
		<pubDate>Fri, 05 Feb 2021 11:00:36 +0000</pubDate>
		<dc:creator><![CDATA[Kat Davis]]></dc:creator>
				<category><![CDATA[Appropriation]]></category>
		<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Self-Portrait]]></category>
		<category><![CDATA[Hyacinth Schukis]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2021/02/Schukis81-552x700.jpg" class="attachment-large wp-post-image" alt="Schukis8" style="display: block; margin-bottom: 5px; clear:both;" /><p>Hyancinth Schukis&#8216; artworks are unique in their appropriation. Rather than using an existing image and placing it into a new context, they take up the visual language of classical religious paintings and breathe new life into the style. By co-opting this particular visual vocabulary, Schukis suggests important questions of representation and cultural relevance. Who is</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2021/02/focus-on-appropriation-hyacinth-schukis/">Focus on Appropriation: Hyacinth Schukis</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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