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	<title>LENSCRATCH &#187; Japan</title>
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		<title>Carlotta Cardana: Kabukicho Nights</title>
		<link>http://lenscratch.com/2026/04/carlotta-cardana-kabukicho-nights/</link>
		<comments>http://lenscratch.com/2026/04/carlotta-cardana-kabukicho-nights/#comments</comments>
		<pubDate>Mon, 13 Apr 2026 10:00:25 +0000</pubDate>
		<dc:creator><![CDATA[Michael Honegger]]></dc:creator>
				<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Carlotta Cardana]]></category>
		<category><![CDATA[Japan]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2026/03/HostsJapan_01-651x521.jpg" class="attachment-large wp-post-image" alt="Jin, 26, was motivated to become a host to make a lot of money and develop his personality. After 7 years of working in the business, Jin says “This business is fluid like water: sometime you make good sales, sometime you make bad sales. Girls come to host clubs because they’re lonely. Some of them want to support their favourite host like they would support a pop idol, even if supporting a host is more expensive”" style="display: block; margin-bottom: 5px; clear:both;" /><p>Recent European photography has undergone a sophisticated shift toward cinematic portraiture, moving away from the clinically perfect digital aesthetic of previous years infavor of a more deliberate, filmic narrative. This trend treats the single frame not as a standalone portrait, but as a still from a larger, unseen movie. By utilizing anamorphic-style wide crops, dramatic rim</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2026/04/carlotta-cardana-kabukicho-nights/">Carlotta Cardana: Kabukicho Nights</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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