I first became aware of Kiana Hayeri’s work in 2020 when the New York Times Magazine featured her photographs of women incarcerated in Afghan prisons for killing their husbands. I was immersed in my own long-term project photographing women in New York State who had been convicted of homicide, and, in the two decades I

View the rest of Kiana Hayeri: No Woman’s Land on LENSCRATCH.