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	<title>LENSCRATCH &#187; Santa Fe</title>
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		<title>Dakota Mace: Listening to the Land</title>
		<link>http://lenscratch.com/2025/07/dakota-mace-listening-to-the-land/</link>
		<comments>http://lenscratch.com/2025/07/dakota-mace-listening-to-the-land/#comments</comments>
		<pubDate>Tue, 29 Jul 2025 10:00:22 +0000</pubDate>
		<dc:creator><![CDATA[Kristie Kahns]]></dc:creator>
				<category><![CDATA[Alternative Process]]></category>
		<category><![CDATA[Brandee Caoba]]></category>
		<category><![CDATA[Dakota Mace]]></category>
		<category><![CDATA[Santa Fe]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2025/07/01_dakota-mace-ruth-lewis-dine-elder-from-dahodiyinii-2021-651x482.jpg" class="attachment-large wp-post-image" alt="01_dakota-mace-ruth-lewis-dine-elder-from-dahodiyinii-2021" style="display: block; margin-bottom: 5px; clear:both;" /><p>A pair of silver gelatin cameraless photographs, marked by painterly drips and splatters of photo chemistry and punctured by delicate patterns of red glass beads, were the first works by Dakota Mace that I encountered in person. This diptych, Náhookǫs Bikǫʼ I, registered as much more than an aesthetic exercise; these chemigrams presented a field</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2025/07/dakota-mace-listening-to-the-land/">Dakota Mace: Listening to the Land</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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