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	<title>LENSCRATCH &#187; Serrah Russell</title>
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		<title>Serrah Russell: Tears Tears</title>
		<link>http://lenscratch.com/2019/12/serrah-russell-tears-tears/</link>
		<comments>http://lenscratch.com/2019/12/serrah-russell-tears-tears/#comments</comments>
		<pubDate>Mon, 09 Dec 2019 11:00:21 +0000</pubDate>
		<dc:creator><![CDATA[Aline Smithson]]></dc:creator>
				<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Constructed Realities]]></category>
		<category><![CDATA[Collage]]></category>
		<category><![CDATA[Photography Book]]></category>
		<category><![CDATA[Serrah Russell]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2019/12/01-tears-tears-541x7001-541x700.jpg" class="attachment-large wp-post-image" alt="" style="display: block; margin-bottom: 5px; clear:both;" /><p>When in 2017 Washington States Project Editor, Jon Feinstein featured the work of Serrah Russell, she expressed the idea that photographs change and morph according to context: &#8220;I believe that photography is inherently and absolutely embedded with meaning. Photographs are constantly changing, with their meaning malleable, always based on surrounding context, shifting cultures, and each</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2019/12/serrah-russell-tears-tears/">Serrah Russell: Tears Tears</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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