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		<title>Yael Eban: False Lighthouse</title>
		<link>http://lenscratch.com/2020/12/yael-eban-false-lighthouse/</link>
		<comments>http://lenscratch.com/2020/12/yael-eban-false-lighthouse/#comments</comments>
		<pubDate>Fri, 18 Dec 2020 11:00:52 +0000</pubDate>
		<dc:creator><![CDATA[Lisa McCarty]]></dc:creator>
				<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Found Photographs]]></category>
		<category><![CDATA[Peter J. Cohen Collection]]></category>
		<category><![CDATA[Photography Book]]></category>
		<category><![CDATA[Vernacular]]></category>
		<category><![CDATA[Yael Eban]]></category>

		<guid isPermaLink="false">http://lenscratch.com/?p=138761</guid>
		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2020/12/Eban_False_Lighthouse_131-651x434.jpg" class="attachment-large wp-post-image" alt="Eban_False_Lighthouse_13" style="display: block; margin-bottom: 5px; clear:both;" /><p>In the final pages of To the Lighthouse, Virginia Woolf treats readers to one last extended inner monologue from painter Lily Briscoe. Briscoe muses, “Love had a thousand shapes. There might be lovers whose gift it was to choose out the elements of things and place them together and so, giving them a wholeness not</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2020/12/yael-eban-false-lighthouse/">Yael Eban: False Lighthouse</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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