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	<title>LENSCRATCH &#187; Gary Owens</title>
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		<title>Gary Owens: In the Room</title>
		<link>http://lenscratch.com/2024/07/gary-owens/</link>
		<comments>http://lenscratch.com/2024/07/gary-owens/#comments</comments>
		<pubDate>Tue, 09 Jul 2024 10:00:23 +0000</pubDate>
		<dc:creator><![CDATA[Greg Banks]]></dc:creator>
				<category><![CDATA[Alternative Process]]></category>
		<category><![CDATA[Collage]]></category>
		<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[Gary Owens]]></category>
		<category><![CDATA[Greg Banks]]></category>
		<category><![CDATA[Pinhole]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2024/07/Owens_In-the-Room_01-651x652.jpg" class="attachment-large wp-post-image" alt="Owens_In the Room_01" style="display: block; margin-bottom: 5px; clear:both;" /><p>Last winter, I discovered Gary Owens&#8217; work on Instagram and was intrigued by his layered depictions that remind me of the starkness of early Hollywood films. Upon reading his statement, I learned that he creates these sculptural collages using images from antique magazines and artificial intelligence. While many photographers have dismissed the potential of A.I.,</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2024/07/gary-owens/">Gary Owens: In the Room</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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