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	<title>LENSCRATCH &#187; Keris Salmon</title>
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		<title>Keris Salmon: To Have and To Hold</title>
		<link>http://lenscratch.com/2021/02/keris-salmon-to-have-and-to-hold/</link>
		<comments>http://lenscratch.com/2021/02/keris-salmon-to-have-and-to-hold/#comments</comments>
		<pubDate>Fri, 26 Feb 2021 11:00:27 +0000</pubDate>
		<dc:creator><![CDATA[Arnika Dawkins]]></dc:creator>
				<category><![CDATA[Conceptual]]></category>
		<category><![CDATA[Gallery Exhibition]]></category>
		<category><![CDATA[Black History]]></category>
		<category><![CDATA[Keris Salmon]]></category>
		<category><![CDATA[Text and Image]]></category>

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		<description><![CDATA[<img src="http://lenscratch.com/wp-content/uploads/2021/02/Keris-Salmon-To-Have-and-To-Hold-_-Mrs.-Madison-469x700.jpg" class="attachment-large wp-post-image" alt="Keris Salmon To Have and To Hold _ Mrs. Madison" style="display: block; margin-bottom: 5px; clear:both;" /><p>In her evolving exploration of the architecture of slavery, Keris Salmon&#8216;s To Have and To Hold, a suite of eleven photographic prints with letterpress, peer into the lives of the American and Caribbean enslaved and their enslavers through the buildings and landscapes they inhabited and the words they once spoke. Salmon transports us to, among</p>
<p>View the rest of <a rel="nofollow" href="http://lenscratch.com/2021/02/keris-salmon-to-have-and-to-hold/">Keris Salmon: To Have and To Hold</a> on <a rel="nofollow" href="http://lenscratch.com">LENSCRATCH</a>.</p>
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