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Southbound: Photographs of and about the New South, Day 5
Peter’s Rock Church, Marianna, Arkansas, 2010. From the Red Ball of a Sun Slipping Downseries.
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Southbound: Photographs of and about the New South, Day 4
Janice Birchfield, 2013. From the American Folk series Roan Mountain, Tennessee.
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Southbound: Photographs of and about the New South, Day 3
Sophie with Kittens, 2002 Sumner, Mississippi © Maude Schuyler Clay
On the third day of our weeklong feature of Southbound: Photographs of and about the New South, the images are accompan
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Southbound: Photographs of and about the New South, Day 2
Yellow House, 2015. Lancaster, South Carolina © Burk Uzzle
Chicken Lunch, 2011.
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Southbound: Photographs of and about the New South
Martha and Kizzie in Pink Room, 2008 Wolfe Creek, Kentucky © Shelby Lee Adams
It is such a pleasure to introduce Southbound: Photographs of and about the New South.
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Brennan Booker: Honeysuckle
©Brennan Booker, from Honeysuckle
Today, Julia Bennett interviews Brennan Booker, the new Lenscratch Editor of Developer.
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Nothing That Falls Away: A Conversation with Eliot Dudik and Meg Griffiths
© Meg Griffiths & Eliot Dudik
Before the New Year, I had the distinct honor of hosting a conversation with artists Meg Griffiths and Eliot Dudik on their newest joint book project, N
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Ashlyn Davis on Morgan Ashcom: What the Living Carry
© Morgan Ashcom, 2018
I asked Ashlyn Davis, Executive Director of the Houston Center for Photography, to comment on their most recent exhibition by artist Morgan Ashcom, What the Living
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Amanda Marchand: The Book of Hours and True North
The Book of Hours ©Amanda Marchand, 2018
How do you explain what winter is like to people who have never experienced it? I’m not talking about California winter, or Florida winter.
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Matt Eich: I Love You, I’m Leaving
© Matt Eich, 2018
At this particular time I have no one
Particular person to grieve for, though there must
Be many, many unknown ones going to dust
I often recall this verse by Elizabeth -
Marina Vitaglione: Solastalgia
© Marina Vitaglione
I’ve always been fascinated by imagery that can provide the comfort of, and at times yearning for home, despite my never having witnessed the scene being depicted.
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