Black and White Archives - Page 2 of 38

Lindsay Godin: Futurisms by Epiphany KnedlerOctober 7th, 2023

©Lindsay Godin, Telescope

This week, we will be exploring projects inspired by place. Today, we’ll be looking at Lindsay Godin’s series Futurisms.

Daniel Kariko: Impermanence: Environmental Collapse of Louisiana’s Vanishing Coast by Epiphany KnedlerOctober 2nd, 2023

©Daniel Kariko, Theo Chaisson, Owner, Isle De Jean Charles Marina, Louisiana

This week, we will be exploring projects inspired by place.

Emily Wiethorn: Erma Jean by Epiphany KnedlerOctober 1st, 2023

©Emily Wiethorn, Erma Jean

This week, we will be exploring projects inspired by place. Today, we’ll be looking at Emily Wiethorn’s series Erma Jean.

Angela Franks Wells: Copper Mine by Epiphany KnedlerSeptember 25th, 2023

©Angela Franks Wells, Bars

This week, we will be exploring projects inspired by place. Today, we’ll be looking at Angela Franks Wells’ series The Copper Mine.

Jennifer Garza-Cuen and Odette England: Past Paper//Present Marks: Responding to Rauschenberg by Linda AlterwitzJune 12th, 2022

©Jennifer Garza-Cuen and Odette England

Past Paper // Present Marks: Responding to Rauschenberg (Radius Books 2021) celebrates the photograms that resulted from the collaboration of Jenni

PhotoNOLA: Cathy Cone: Rewinding Forward by Linda AlterwitzFebruary 28th, 2022

©Cathy Cone 2022

This week we are sharing some of our discoveries from the PhotoNOLA Reviews, an annual celebration of photography in New Orleans.

Dan Lenchner: A Photographic History by Polly GaillardJune 25th, 2021

©Dan Lenchner, Boys Running at Camera, Turkey

Over the past thirty-five years, photographer Dan Lenchner has taught comparative literature, ran a catering business in New York, built an e

Jenia Fridlyand: On Domestic Life by Macaulay LermanMay 31st, 2021

©Jenia Fridlyand, from Entrance to our Valley

At its opening, Jenia Fridlyand’s monograph, Entrance to Our Valley, shows a world just before waking.

Jason Langer: Twenty Years by Aline SmithsonMarch 18th, 2021

“Jason seems to have absorbed the entirety of photo history, particularly the so-called “New York School”, identified by historian Jane Livngstone in her

The Artist Intervenes: Ricardo Miguel Hernández by Emma FrohardtMarch 2nd, 2021

What does it mean to be an archaeologist of imagery? Through utilizing found images to construct photographic collages, Hava

Focus on Appropriation: Deepanjan Mukhopadhyay by Kellye EisworthFebruary 4th, 2021

Focus on Portraiture: Colin Roberson: Taxi Dance by Kellye EisworthJanuary 25th, 2021

Photographs of people are everywhere. As visual tools, they have many applications; faces are catalogued in identification databases.

All posts tagged: "Black and White"

Lindsay Godin: Futurisms by Epiphany KnedlerOctober 7th, 2023

Daniel Kariko: Impermanence: Environmental Collapse of Louisiana’s Vanishing Coast by Epiphany KnedlerOctober 2nd, 2023

Emily Wiethorn: Erma Jean by Epiphany KnedlerOctober 1st, 2023

Angela Franks Wells: Copper Mine by Epiphany KnedlerSeptember 25th, 2023

Jennifer Garza-Cuen and Odette England: Past Paper//Present Marks: Responding to Rauschenberg by Linda AlterwitzJune 12th, 2022

PhotoNOLA: Cathy Cone: Rewinding Forward by Linda AlterwitzFebruary 28th, 2022

Dan Lenchner: A Photographic History by Polly GaillardJune 25th, 2021

Jenia Fridlyand: On Domestic Life by Macaulay LermanMay 31st, 2021

Jason Langer: Twenty Years by Aline SmithsonMarch 18th, 2021

The Artist Intervenes: Ricardo Miguel Hernández by Emma FrohardtMarch 2nd, 2021

Focus on Appropriation: Deepanjan Mukhopadhyay by Kellye EisworthFebruary 4th, 2021

Focus on Portraiture: Colin Roberson: Taxi Dance by Kellye EisworthJanuary 25th, 2021

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