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Seeing Science by Marvin Heiferman
Seeing Science (Aperture, 2019)
“Science photography grounds us in the particulars of our earthly and extraterrestrial adventures, and astounds us when it reveals what lies beyond the pa
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The CENTER Awards: Project Launch Grant Winner: Igor Tereshkov
©Igor Tereshkov, from Oil and Moss
Congratulations to Igor Tereshkov for being selected for CENTER’s Project launch Grant recognizing his project, Oil and Moss.
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Art + Science: Art of Healing: Sandra Klein
©Sandra Klein
The Art + Science features this week are focused on the art of healing – how artists use art and photography to overcome or assist in the curative process.
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Liz Hickok: Ground Waters
© Liz Hickok “Rheology” from the series GROUND WATERS
Liz Hickok is a San Francisco-based artist working in photography, video, sculpture, and installation.
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ART + SCIENCE: Sharon Harper
©Sharon Harper, Some Observations on Movements of the Earth, 2014- Ancient Redwoods, Rainforest California, No.
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South Africa Week: Masixole Feni
©Masixole Feni, Public Personal Amenities: Communal taps.
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Sebastian Sardi: Black Diamond
©Sebastian Sardi
…It is an apocalyptic landscape.
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Rita Leistner: The Tree Planters
©Rita Leistner
I have always said that my experience in the strenuous, remote job of tree planting in Canada prepared me for the role of documenting communities in extreme conditions.
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Benjamin Dimmitt: Paradise Lost
©Benjamin Dimmitt, Oaks & Palms, Disney Wilderness Preserve
Benjamin Dimmitt was born and raised on the Gulf Coast of Florida.
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Alyssa Schukar: The Most Industrialized City
©Alyssa Schukar, American industry disproportionately affects the health of minority and low-income communities, and East Chicago, Ind.
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Kirk Crippens and Gretchen LeMaistre: Live Burls
©Kirk Crippens and Gretchen LeMaistre, Circle of Trees, from Live Burls
“A grove of giant redwoods or sequoias should be kept just as we keep a great or beautiful cathedral.
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Benjamin Dimmitt: An Unflinching Look: Chassahowitzka Saltwater Intrusion
©Benjamin Dimmitt, Blue Run Shore #1
I first discovered Benjamin Dimmit’s stellar photographs when Alexa Dilworth and I jurored the Slow Exposures Exhibition in 2014 and selected s
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