Memory Archives - Page 11 of 25

Jonas Yip: re:place by Aline SmithsonJuly 7th, 2016

©Jonas Yip

I am thrilled to share the work of Jonas Yip today, not only because he is the Lenscratch Technical Director–who basically built the site from the ground up and solves a

Mary Anne Mitchell: Meet Me in My Dreams by Aline SmithsonJune 24th, 2016

©Mary Anne Mitchell

Photographer Mary Anne Mitchell has an exciting and busy year ahead.

Amy Kanka Valadarsky: Misthaven by Aline SmithsonJune 9th, 2016

©Amy Kanka Valadarsky

As photographers, we often discover influences from our childhood and lives that rise to the surface and shape our work in some way.

CENTER AWARDS: Directors Choice: Laura Pannack by Aline SmithsonMay 7th, 2016

©Laura Pannack, From the series Youth without age, life without Death, 2012-2016

This week and next, Lenscratch will be sharing the CENTER Awards winners and the statements by the jurors

Korea Week: Sung Seok Ahn by Joanne Junga YangJanuary 22nd, 2016

©Sung Seok Ahn

Sung Seok Ahn was born in Suwon, South Korea in 1985, and lives and works in Suwon and Seoul.

Norm Diamond: What is Left Behind by Aline SmithsonDecember 5th, 2015

©Norm Diamond, Man of the House

I think it’s interesting that Norm Diamond comes to photography after a career in radiology, a profession that is all about investigative seeing.

Rachel Jump: Origins by Aline SmithsonNovember 14th, 2015

©Rachel Jump

I first met Rachel Jump when we shared a week at the Maine Media Workshops this summer.

Nanette Freeman: Diversion by Aline SmithsonNovember 11th, 2015

The arts are as much about creative expression as they are about creating a second language for us to use to express pain, loss, trauma, and even joy.

Finding Home: Karina Azaretzky by Eleonora RonconiApril 10th, 2015

My last post of the week is El Jardín, a very quiet series by Argentinian photographer Karina Azaretzky. I met Karina at a portfolio review in Buenos Aires last year.

Ed Grossman: Sunday Drive by Aline SmithsonSeptember 28th, 2014

What if we could collect our memories and place them in a box to sift through on a rainy day? Photographer Ed Grossman has created a project based on childhood memories, where his back seat