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Interview with Owen McCarter and Drew Leventhal: “The Three-Eyed Fish” and Independent Photo Book Publishing
© Owen McCarter
“The Three-Eyed Fish”, by Owen McCarter, is an allegorical journey along the Housatonic River in Western Massachusetts and a search for the pollution caused
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“notes from a body inverted” by Emme Rovins – Exhibition at Gravedigger’s Daughter
© Emme Rovins
Modern day modes of botanical taxonomy are still based on a system that focused attention on the organs of generation within plants, “unleash[ing] onto the public imaginat
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Jake Nemirovsky: Big Bug
© Jake Nemirovsky, “Big Bug”
Try to remember a moment from when you were young.
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Marco Yat Chun Chan: Dollar Landscape and Savannah Trees
©Marco Yat Chun Chan, Dollar Landscape Sadler Creek
This week, we will be exploring projects inspired by memory, place, and/or intimacy.
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Interview with Morganna Magee: Reverence for the Land, Animals, and People
© Morganna Magee
“I acknowledge my position as a settler on stolen Bunurong land in my daily life and art practice.
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Susan Lapides: St. George: Ebb and Flow
@Susan Lapides, Cover of St.George: Ebb and Flow
Susan Lapides brings a lifetime of deep seeing to her photographs, straddling the editorial and fine art arenas with finesse and humanity.
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Yorgos Efthymiadis: The Lighthouse Keepers
©Yorgos Efthymiadis, Costas:T, installation
The Lighthouse Keepers, an ongoing series by Yorgos Efthymiadis that began in 2018, depicts the cherished people and homes of the seaside commu
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The 2024 Lenscratch 1st Place Student Prize Winner: Mosfiqur Rahman Johan
©Mosfiqur Rahman Johan, A significant portion of the country’s GDP is spent on mega projects by the government.
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Ward Long: Standstill
© Standstill by Ward Long / Deadbeat Club
How do we acknowledge a time of transition? Or perhaps a more pertinent question is, how do we cope with the loss of what was and the uncertainty
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Interview with Peah Guilmoth: The Search for Beauty and Escape
© Peah Pauline Guilmoth, “A. and O.
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Interview with Kaitlin Santoro: Memory and Photographic Ephemera
© Kaitlin Santoro, “The side door was left ajar.”, Vitreography
“My work explores time, memory, and impermanence.
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Interview with Kate Greene: Photographing What Is Unseen
© Kate Greene, image from the series, “So Much Water So Close to Home”
I first met Kate Greene as a visiting artist in one of my final critiques of undergrad.
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