Ann Inger Johansson: Privileged
Bhutanese refugees line up to receive food distributed by the Red Cross at Beldangi II refugee camp run by UNHCR, near Birtamod, Nepal, September 10, 1997.
Photojournalist Ann Inger Johansson has spent a lifetime traveling the globe, using a camera to tell powerful stories. In reality, she bears witness to what it is important for us to consider–difficult subjects like climate change, political strife, and the human condition. It is rare for a journalist to move their work into the conceptual, fine art arena, but her project Privileged, does just that. It speaks to not only a subject she has well-documented–immigration, but to a personal recognition that all skin is not created equal. Using self-portraits of her own white skin, she juxtaposes photographs that she has taken as a photo journalist, recognizing the inequality of those who do not meet Washington D.C.’s preferred immigrant group requirements.
Born in Göteborg, Sweden, Ann Inger Johansson uses documentary photography to look at social, political and environmental issues, from today’s heated debates about immigration to the long-term consequences of climate change.
Ann has 20 years of experience working as a freelance photojournalist for publications such as The New York Times, The Wall Street Journal, The Guardian, Le Monde, The Smithsonian and Der Spiegel among many others. Ann was commissioned by Klimahaus, a 200,000 sq. ft. educational space about climates and climate change in Bremerhaven, Germany, to travel to six countries and document people living in different climate zones. Her work can be seen throughout “The Journey” exhibition.
Her photographs are part of The Museum of Photographic Arts, San Diego, permanent collection and she recently exhibited in a group show at the Houston Center for Photography. Ann Inger Johansson is based in Los Angeles.
Zainab Kamara, 2 months, sleep by a sewage filled gutter in Susan’s Bay slum in Freetown, Sierra Leone, November 11, 2008.
having special rights, advantages, or immunities.
As a career photojournalist, I have been photographing issues about immigration for decades. My intimate experience with this subject has allowed me to witness the hypocrisy of today’s immigration policies. It has also made me keenly aware that I too am an immigrant, a white immigrant. In this time of heightened scrutiny of immigrants from some parts of the world I am deeply troubled by what is happening and at the same time acutely aware of the advantages being a white immigrant has granted me.
My project “Privileged” is a reaction to the disparities I recognize because of the color of my skin.
In “Privileged” I juxtapose staged photographs of my white skin with images I have taken, while working as a photojournalist, that speak to different aspects of immigration. “Privileged” represents my personal experience as well as the current “sacredness” of white United States of America and the perceived ”invasion” by people who do not look liked the privileged group.
Note: the skin images have been partially re-touched to give a “pristine” fake reality leaving the hidden part of each image un-retouched.
Four children share one meal in Susan’s Bay slum in Freetown, Sierra Leone, November 9, 2008.
A fisherman shows his hands, calloused from pulling nets, in Aberdeen near Freetown, Sierra Leone, November 15, 2008. More than 20 men helped haul fishing nets all morning for a meager catch that left many without fish.
A Palestinian child stands in front of a closed Palestinian shop with graffiti reading ‘KILL ALL ARABS’, in Hebron, the West Bank, Palestinian Territories, April 8, 2003. A curfew was imposed on Palestinian shops by Israeli forces in the city center of Hebron.
Members of the “Front Deliberation Forces Armees D’Haiti”, part of Guy Philippe’s rebel army, search for Chimere fighters in Port-au-Prince, Haiti, February 29, 2004.
People gather to look at a man tortured and killed left on a street in Port-au-Prince, Haiti, February 28, 2004.
Palestinians carry the body of Ghaseb Mahmoud al-Hawarin during his funeral in in the town of Dahriya, South of Hebron in the West Bank, Sunday April 13, 2003. Al-Hawarin was killed by Israeli soldiers in clashes in Hebron yesterday.
A person, who has illegally passed in to the U.S., is allowed to walk back in to Mexico instead of swimming in the New River, the most polluted river in North America, in Calexico, Monday, March 21, 2005.
Men, who have just been caught crossing in to the United States illegally, sit in the back of a U.S. Border Patrol truck wearing foam under their shoes in order to disguise their tracks, along the U.S. – Mexico border near San Luis, Arizona, January 31, 2007.
U.S. Border Patrol Senior Patrol Agent Enrique Lozano, second left, search a person who crossed in to the U.S. illegally, in Calexico, April 26, 2005.
A young boy sits next to his mother while a woman fills out a paper in the back of a U.S. Border Patrol truck after they have been apprehended crossing in to the United States illegally, along the U.S. – Mexico border near San Luis, Arizona, January 31, 2007.
People sleep in the holding room where families with minors are kept, at the U.S. Border Patrol’s Yuma Station, in Yuma, Arizona, January 31, 2007.
Juan Gonzalez, 12, left, pose for photographs with his mother Carmen as they speak with each other through the fence separating the U.S. and Mexico, in Calexico, Monday, March 21, 2005.
A newly built border fence stands East of San Luis Rio Colorado, Sonora, Mexico, January 31, 2007.
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
The 2019 Lange-Taylor Prize: Chinen Aimi: Finding RyukyuOctober 4th, 2019
Sunny Strader: 5th Grade DreamsOctober 1st, 2019
Marcia Resnick: Re-VisionsSeptember 19th, 2019
Hiroshi Watanabe: KWAIDAN: Stories and Studies of Strange ThingsSeptember 17th, 2019
Photographers on Photographers: Julia Vandenoever and Stephanie BurchettSeptember 2nd, 2019