Fine Art Photography Daily

Earth Week: Simon Norfolk: When I am Laid in Earth

2004 Climate change and the melting of the Lewis Glacier on Mount Kenya. The flame line shows the Lewis Glacier's location in 2004. This part of the glacier is quite stable, even so the front of the glacier has since receded about 22m.

© Simon Norfolk

These bodies of work are linked by this thematic lens: making the often-invisible nature of the global climate and the ecological crisis more visible using conceptual, lens-based art techniques. Each body of work speaks to a different aspect of the climate and ecological crisis: sea level rise; coral bleaching; habitat loss and environmental destruction; deforestation; melting glaciers; plastic pollution. – Michael O’Snyder

1987 Climate change and the melting of the Lewis Glacier on Mount Kenya. The flame line shows the Lewis Glacier's location in 1987. The glacier has since receded about 120m. The pond is called the Curling Pond. In 1987 it's surface was 15m higher than presently and the back wall of the pond was a tall wall of ice - the glacier's snout. The  rounded peak is Point Thomson.

© Simon Norfolk

Simon Norfolk: Born: 1963 in Lagos, Nigeria. Lives in Hove and Kabul. Simon Norfolk is a landscape photographer whose work over twenty years has been themed around a probing and stretching of the meaning of the word ‘battlefield’ in all its forms. As such, he has photographed in some of the world’s worst war-zones and refugee crises, but is equally at home photographing supercomputers used to design military systems or the test-launching of nuclear missiles. Time’s layeredness in the landscape is an ongoing fascination of his.

Follow Simon Norfolk: @simonnorfolkstudio

1963 Climate change and the melting of the Lewis Glacier on Mount Kenya. The flame line shows the Lewis Glacier's location in 1963, the year I was born. A long finger of ice extended over the ridge and down into the gully. The glacier has since receded about 275m. At that time, the small hut - a basic climber's refuge - on the left called Top Hut or Firmin Hut existed. The larger hut with the lights on is Austrian Hut (where I lived) which wasn't built until 1972, by the Österreichischer Alpenverein (the Austrian Alpine Club). The hut to the right is the modern toilet block. The facilities now all belong to the Kenya Wildlife Service. The spire in the picture is Thomson's Flake and the rounded peak is Point Thomson. To the right is Point Lenana.

© Simon Norfolk

When I am Laid in Earth

The melting of the world’s glaciers represents the canary in the coal-mine of global warming. The Lewis Glacier on Mount Kenya is the best place to see this process since it is one of the most studied glaciers and quality mapping of the ice-mass shrinkage exists going back all the way to 1934. The mountain gives water to a huge amount of central Kenya’s farms and cities and the glacier melt-waters regulate that water supply through the year. All this will be (is already being) undermined. The Lewis Glacier’s collapse is a catastrophe for Kenya and an alarm bell for all of us.

The lines I have drawn with fire represent where the glacier front was at various times in the recent past; the years are given in the captions. In the distance, a harvest moon lights the poor, doomed glacier remains. Relying on old maps, modern GPS data and mapping surveys from peer-reviewed journals, especially the work of researcher Rainer Prinz at the University of Innsbruck’s Centre for Climate and Cryosphere, I have recreated the history of the glacier’s retreat. Photographing time’s thickness, trying to trick out its ‘layeredness,’ is something I’ve been trying to do for many years now.

It seems entirely appropriate to make these pictures on a volcano. Mount Kenya is the eroded stump of a long dead mega-volcano, once perhaps 6000m high. Photographically, I hope to re-awaken its angry, fiery heart. The mountain has an especially fierce demeanour, the peaks are sheer and ragged, and since I first saw them I’ve been thinking of Shelley and Tolkien. The ‘Fire vs. Ice’ metaphor I employ is especially delicious for me.

So, see it now before it’s gone: I’d say you have a dozen years or so before Mount Kenya is just an unadorned rocky stump, robbed of its crown. Unless of course you feel that flying around the world injecting tonnes of hot CO2 into the troposphere in order to witness the melting of Africa’s glaciers, is just a little too ironic. – Simon Norfolk

1934 Climate change and the melting of the Lewis Glacier on Mount Kenya. The flame line shows the Lewis Glacier's location in 1934. The glacier has since receded about 275m. In 1934 it carried on almost to the top of the peak on the right and covered the left side of the picture as high as the break in the scree slope, just below the vertical 'wall' that leads to the summit. The rounded peak on the left is Point Thomso

© Simon Norfolk

1934 Climate change and the melting of the Lewis Glacier on Mount Kenya. The flame line shows the Lewis Glacier's location in 1934. It has since receded about 200m. On Feb 10th 1960, Siegmund Straubinger (possible climber - rope on the cross) (possible German, there's a Straubing in Bavaria) was killed on the mountain and buried by his colleagues. At that time, foreign climbers climbed without Kenyan porters, so they would not have been able to remove the corpse, instead prefering to bury in situ. The peak in the picture is Point Lenana, the third highest of Mt Kenya's peaks.

© Simon Norfolk

1963 Climate change and the melting of the Lewis Glacier on Mount Kenya. The flame line shows the Lewis Glacier's location in 1963, the year I was born. In the intervening time the glacier has receded about 285m. The 'crack' which is splitting the glacier into upper and lower portions (on which the camera is standing) seems to have extended even since I found a picture on a climber's web forum reporting it's appearance over the winter of 2013/14. The large hut with the lights on is Austrian Hut (where I lived) which was built in 1972, by the Österreichischer Alpenverein (the Austrian Alpine Club).

© Simon Norfolk

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