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The 2025 Ghosts, Goblins & Other Apparitions Exhibition
©Mari Saxon, Envy, 2025, @marisaxon.
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The 2025 Ghosts, Goblins & Other Apparitions Exhibition, Part 2
©Mark Edward Harris, Palisades Fire, @markedwardharrisphoto
©Julia Solomatin, Why so serious, 2024, @sunset566,
©Anastasiia Lyskovets, Witch’s Lullaby, @lyskowets_portrait
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The 2025 Ghosts, Goblins & Other Apparitions Exhibition, Part 3
©Patty Carroll, Halloween Hell, @pattyphoto_snaps
©Erica Kelly Martin, Happy Halloween, @ericakellymartin
©Hanna Gelwix, Pumpkins
©Marina Dukhina, Pumpkins,@terraastro
©Calah L
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The 2025 Ghosts, Goblins & Other Apparitions Exhibition, Part 4
©Oleg Satov, Indian Catholic
©Ena Castillo, Naked_Vampire_Holding_a_Glass_of_Blood, 2024, @by.
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The 2025 Ghosts, Goblins & Other Apparitions Exhibition, Part 5
©Linda Plaisted, Malleus Maleficarum, @themanymuses
©Simone Curzi, The Witch Gaze, @simone_curzi_skylover
©Kodid Laraque-Two Elk, Dark at the End of the Tunnel, @leyla.
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Art of Documentary Photography: Elliot Ross
© Elliot Ross, Tim and the First Rain, In Monument Valley, Tim Holiday embraces the first rain in months–signalling the arrival of monsoon season.
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The Art of Documentary Photography: Carol Guzy
KOSOVO’S SORROW – ETHNIC CLEANSING “REUNION” Kosovar refugee Agim Shala, 2 years old, is passed through the barbed wire fence into the hands of grandparents at the
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The Art of Documentary Photography: Matt McClain
©Matt McClain, Protest, A counter protester is seen peeking out from a banner during a pre-election rally for the Young Alternative for Germany which is affiliated with the far-right par
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The Art of Documentary Photography: Rebecca Kiger
© Rebecca Kiger, East Palestine, One Year After the Derailment, A train approaches East Palestine October 7th, 2023.
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The Art of Documentary Photography: Louie Palu
©Louie Palu, Canadian soldiers build igloo’s as an improvised survival shelter near a camp at the Crystal City training in Resolute Bay below -50 degrees Celsius in Nunavut, Canada.
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The Art of Documentary Photography: Rania Matar
©Rania Matar, Cover of Where Do I Go?
In her latest project, which she describes as “love letters to the women of Lebanon,” Rania Matar creates mesmerizing portraits.










