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Nate Palmer: On Domestic Life
©Nate Palmer, from Petworth
How one defines home is often dictated by scale. Home could refer to another person. Perhaps a friend, a family member, or romantic partner.
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Akea Brionne Brown: On Domestic Life
©Akea Brionne Brown, from Black Picket Fences
While a photograph inherently references the past, intentionally making images that reflect one’s own history can be a complicated affair.
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Alex Huanfa Cheng: On Domestic Life
©Alex Huanfa Cheng, from Zhiyu
When photographing a loved one, who are we really seeing? Is it possible to make portraits of others that aren’t simply images of our expectations of that
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Jenia Fridlyand: On Domestic Life
©Jenia Fridlyand, from Entrance to our Valley
At its opening, Jenia Fridlyand’s monograph, Entrance to Our Valley, shows a world just before waking.
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Deanna Dikeman: Leaving and Waving
©Deanna Dikeman, from Leaving and waving, 3/2004
Some photo projects are organic, made for personal memory keeping or a desire to document familial events, large and small.
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Kristiana Chan
©Kristiana Chan, Bodies of Water (2020), Seawater developed cyanotypes
Kristiana Chan’s practice materializes the ways in which our complicated, historical entanglements with the landsc
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Richard Tuschman: My Childhood Reassembled
©Richard Tuschman, Early Morning Date: 2016–2019 While my mother was exceptionally responsible, conscientious, and caring, expressing love through physical affection was, for various und
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Ingvild Melby: The Present is Woven with Multiple Pasts
©Ingvild Melby
Projects featured this week were selected from our call-for-submissions. We will be accepting new projects for review from April 4th-10th, 2021.
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Meghan Marin: The Sound of the Sun
©Meghan Marin
Projects featured this week were selected from our call-for-submissions. We will be accepting new projects for review from April 4th-10th, 2021.
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Ashleigh Coleman: Hold Nothing Back
©Ashleigh Coleman, Bloody Nose Birthday
Several years ago, Alexa Dilworth and I had the great pleasure of juroring the Slow Exposures: Celebrating Photography of the Rural South Exhibitio
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Will Harris: You Can Call Me Nana
©Will Harris, Cover of the book, You Can Call Me Nana, by Overlapse
As with all things in life, the physical reality of an object or person is truly more satisfying.
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Karen Davis: Still Stepping: A Family Portrait
©Karen Davis, Still Stepping Book Cover
Twenty-five years ago, Meredith Morgan, Edward Orton and their children, Parker and Maggie, became the primary subjects of my photographic explorat










