Features Archives - Page 80 of 99

Eliot Dudik: States Project: Virginia by Aline SmithsonJuly 20th, 2015

©Eliot Dudik, Canal in Fog, Near Highway 17, Road Ends in Water

The LENSCRATCH States Project continues with the state of Virginia and the wonderful Virginian Guest Editor, photographer E

Steve Engelmann: Ancient Wood by Dan ShepherdJuly 12th, 2015

Hermann Hesse wrote one of the most beautiful odes to trees nearly one hundred years ago.

Mary Pinto: Weavings, Cut Outs, After Sandy, and Home and Garden by Dan ShepherdJuly 11th, 2015

The hand of the artist is uniquely distinct and evident in the work of Mary Pinto.

Elena Dorfman: Empire Falling and River by Dan ShepherdJuly 10th, 2015

The history of artistic representation of the American landscape is grounded in the dichotomy between the sublime wilderness versus the cultivated beaut

Marcus DeSieno: Cosmos and American West by Dan ShepherdJuly 9th, 2015

The Roman philosopher, Cicero, is noted as saying, “Notati

Peter G. Hoffman: Fox River Derivatives and Again and Again by Dan ShepherdJuly 7th, 2015

How photographers artistically respond to their sense of “place” is always intriguing to me.

Content-Aware: Tommy Bruce by Grant GillJune 28th, 2015

I am a fire, 2015

Tommy Bruce is an artist, poet and documentarian living in Baltimore, Maryland.

Rebecca Nolan: The States Project: Georgia by Carson SandersJune 27th, 2015

I met Rebecca Nolan in 2009 when I began my education at the Savannah College of Art and Design.

Stephen Milner: The States Project: Georgia by Carson SandersJune 26th, 2015

Stephen Milner is a photographer based out of Savannah, Georgia. His recent work revolves around the current state of the Ogeechee River that flows through much of Georgia.

Ashley Jones: The States Project: Georgia by Carson SandersJune 25th, 2015

340 Martin Luther King Jr.

Maury Gortemiller: The States Project: Georgia by Carson SandersJune 24th, 2015

I was first introduced to Maury Gortemiller in early 2014 when he submitted to the AB American South issue and was immediately intrigued by the colors and compositions of his work.