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Review Santa Fe: Anna Reed: Merging Dimensions
©Anna Reed
We are wrapping up our look at the work of artists from the 2024 Review Santa Fe portfolio reviews.
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Review Santa Fe: Kate Izor: Smother
©Kate Izor
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Smother by Kate Izor.
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Review Santa Fe: Duygu Aytaç: Ankara 1974
©Duygu Aytaç
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event. Up next, we have Ankara 1974 by Duygu Aytaç.
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Review Santa Fe: Kathleen Tunnell Handel: Where the Heart Is
©Kathleen Tunnell Handel
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event.
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Review Santa Fe: Stephan Jahanshahi: Nation of Desire
©Stephan Jahanshahi
Today, we are continuing to look at the work of artists from the Review Santa Fe portfolio review event. Up next, we have Nation of Desire by Stephan Jahanshahi.
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Review Santa Fe: Sylvia Galbraith: What Time Is This Place?
©Sylvia Galbraith
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event.
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Review Santa Fe: César Guardia Alemañi: Towards Intimacy
©César Guardia Alemañi
Today, we are continuing to look at the work of artists from the 2024 Review Santa Fe portfolio review event.
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Review Santa Fe: Denise Laurinaitis: The Missing Photographs
©Denise Laurinaitis
In early November 2024, I had the great pleasure of attending and reviewing portfolios at CENTER’s Review Santa Fe event for the second consecutive year.
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Semaj Campbell: Five Sixty Four
©Semaj Campbell
Lenscratch recently held its annual(-ish) call-for-projects, and the response was impressive. In total, there were over 500 submissions.
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Andy Mattern: Ghost
©Andy Mattern
Lenscratch recently held its annual(-ish) call-for-projects, and the response was impressive. In total, there were over 500 submissions.
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Jorge Ariel Escobar: I Think We Could’ve Been Something
©Jorge Ariel Escobar
Lenscratch recently held its annual(-ish) call-for-projects, and the response was impressive. In total, there were over 500 submissions.
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Constance Jaeggi: Escaramuza, the Poetics of Home
©Constance Jaeggi
Lenscratch recently held its annual(-ish) call-for-projects, and the response was impressive. In total, there were over 500 submissions.
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