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Jiatong Lu: Nowhere Land
©Jiatong Lu
For the next few days, we will been looking at the work of artists who submitted projects during our most recent call-for-entries.
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Susan Keiser: Undertow
©Susan Keiser, The Last Wave By, No. 3795
It was a pleasure to meet with a long time friend, Susan Keiser, at the New England Portfolio Reviews.
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Jeffrey A. Wolin: Measuring Time
Jeffrey A. Wolin at this exhibition, Measuring Time
“This exhibition and monograph are the products of my 50-year career as a photographer.
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Benjamin Briones Grandi: Memories
Conversion, courtesy the artist
Benjamin Briones Grandi‘s sleek series of photomontages, Memories, transforms Chile’s awe-inspiring geography into surreal dream works that spea
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Arrayah Loynd: Come and find me
©Arrayah Loynd
This week we are looking at the work of artists who submitted projects during our most recent call-for-entries. Today, Arrayah Loynd and I discuss Come and find me.
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Virginia Villacisla: Presencio & The Rural Kids
©Virginia Villacisla
This week we are looking at the work of artists who submitted projects during our most recent call-for-entries.
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Ana Leal: Transitions and Thresholds
©Ana Leal, Apparent Insignificances #1, 2021
Ana Leal was born in the Northeast of Brazil and is based in São Paulo.
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Lynne Buchanan: The Poetry of Being
©Lynne Buchanan, The Poetry of Being
For many, the idea of nature and literature go hand in hand.
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Photographers on Photographers: Ian White in Conversation with Curran Hatleberg
© Curran Hatleberg, Untitled (Picnic)
During my first semester at RIT, Gregory Halpern gave me a list of photography books to check out from the library.
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Photographers on Photographers: Vicente Cayuela in Conversation with Sheida Soleimani
©Sheida Soleimani, Lachrymatory Agent, 2014, courtesy the artist
Striking a delicate balance between shedding light on politically challenging issues and maintaining ethical s
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Photographers on Photographers: Brian Garbrecht in Conversation with Eli Craven
© Eli Craven, First Aid (Revive), 2022
Since I first saw Eli Craven’s work back in 2019. I was drawn to the craftsmanship and dimensionality of it.
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