Aline Smithson

Anne Berry: The Garden of Endearment by Aline SmithsonJuly 31st, 2019

©Anne Berry

The fact that children are spending less and less time in nature – and some not at all – is not only a tragedy for individual children, but for the future of our species.

2019 Lenscratch Student Prize: Honorable Mention: Chance DeVille by Aline SmithsonJuly 27th, 2019

©Chance DeVille

It is with great excitement that we honor Chance DeVille, Rhode Island School of Design, MFA Candidate – 2021, with an Honorable Mention in the 2019 Lenscratch Stude

2019 Lenscratch Student Prize: Honorable Mention: Tabitha Barnard by Aline SmithsonJuly 25th, 2019

©Tabitha Barnard

It is with great excitement that we honor Tabitha Barnard, Massachusetts College of Art and Design, MFA Candidate, with an Honorable Mention in the 2019 Lenscratch Studen

Eleonora Ronconi: Serás mis ojos by Aline SmithsonJune 28th, 2019

©Eleonora Ronconi, from Serás mis ojos

Eleonora Ronconi was recently at the Photolucida Reviews with a poignant project about memory, home, and the reconsideration of of time and place

Martin Venezky: The New Machinery by Aline SmithsonJune 27th, 2019

©Martin Venezky, THE NEW MACHINERY No.

Leo Garcia: Now Pay by Aline SmithsonJune 26th, 2019

©Leo Garcia, from Now Pay

How do we consider place as an immigrant and keen observer? In the case of Guatemalan photographer Leo Garcia, he has photographed his life in Los Angeles–

Dominik Dunsch: Suburbia by Aline SmithsonJune 25th, 2019

©Dominik Dunsch, from Suburbia

The genre of family continues to be explored as photographers mine their lives, looking at those under the same roof as a way to understand and document tho

Ira Wagner: Twinhouses of The Great Northeast by Aline SmithsonJune 21st, 2019

©Ira Wagner, Twinhouses of The Great Northeast

When Ira Wagner shared his project Twinhouses of the Great Northest at the Photolucida Portfolio Reviews, I was fascinated by the almost sur

Susan Lapides: Crustaceans by Aline SmithsonJune 20th, 2019

There are two genres in photography that are personal favorites: projects about time and projects created as typologies.

Susan Rosenberg Jones: Widow/er by Aline SmithsonJune 19th, 2019

©Susan Rosenberg Jones, Carol: “I am very grateful. He was on home hospice. He did not want to be in a hospital bed and he was in our bed. I slept with him.