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Taylor Hedrick: Sun Felt
©Taylor Hedrick, Dad at Bat
This week, we will be exploring projects inspired by memory, place, and/or intimacy. Today, we’ll be looking at Taylor Hedrick’s series Sun Felt.
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Lisa Beard: Because It’s There
©Lisa Beard, Backyard Rings
This week, we will be exploring projects inspired by memory, place, and/or intimacy.
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Kaitlyn Jo Smith: Super8 (1967-87, 2017), 2017
©Kaitlyn Jo Smith, Super8 (1967-87, 2017)
This week, we will be exploring projects inspired by intimacy and memory.
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lydia see: Let no one say we were not here
©lydia see, Let no one say we were not here, donated images
This week, we will be exploring projects inspired by intimacy and memory. Today, we’ll be looking at work by lydia see.
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Twiggy Boyer: Fragments & Houses
©Twiggy Boyer, Autumnal Breeze, mixed-media collage, 11×14″, 2021
This week, we will be exploring projects that use the found photograph.
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Sofia Dalamagka: Evanescentium Memento
©Sofia Dalamagka, 1951, 2022
This week, we will be exploring projects that use the found photograph. Today, we’ll be looking at Sofia Dalamagka’s series Evanescentium Memento.
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Letitia Huckaby: Bitter Waters Sweet
©Letitia Huckaby, Ms. Joycelyn, Pigment Print on Fabric with Embroidery, 71” x 41”, 2022
This week, we will be exploring projects that use the found photograph.
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Dillon Bryant: From There to Here and Never Back Again
©Dillon Bryant, Mythos, Scanned collage made from found and taken images, family album cover, 2022
This week, we will be exploring projects that use the found photograph.
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Deborah Orloff: Elusive Memory: Lost Histories
©Deborah Orloff, School Photos 3 from Elusive Memory, 2019
This week, we will be exploring projects that use the found photograph.
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Leah Schretenthaler: Aloha from Hawaii
©Leah Schretenthaler, Hawaiian Chief, laser etched postcard, 4” x 6”, 2022
This week, we will be exploring projects that use the found photograph.
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Digital Mediations: Penelope Umbrico: Range: of Masters of Photography
©Penelope Umbrico, Two Westons with Daido Moriyama 35mm Medium Format Superslide and lightleak multiexposure
Penelope Umbrico’s work is a complex study of digital technology’s effect
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Focus on Vernacular: Daisy Patton
©Daisy Patton, Untitled (Dear half 5-4-1927)*, 2021, 80×60”
When personal snapshots are lost or abandoned by their owners, the memories they represent are lost with them.
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