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Vann Thomas Powell: On Contentious Ground
©Vann Powell, Scars, Tunnel Hill, GA. 4×5 BnW Negative. 2023.
This week, we will be exploring projects inspired by place.
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Lindsay Godin: Futurisms
©Lindsay Godin, Telescope
This week, we will be exploring projects inspired by place. Today, we’ll be looking at Lindsay Godin’s series Futurisms.
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Daniel Kariko: Impermanence: Environmental Collapse of Louisiana’s Vanishing Coast
©Daniel Kariko, Theo Chaisson, Owner, Isle De Jean Charles Marina, Louisiana
This week, we will be exploring projects inspired by place.
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Emily Wiethorn: Erma Jean
©Emily Wiethorn, Erma Jean
This week, we will be exploring projects inspired by place. Today, we’ll be looking at Emily Wiethorn’s series Erma Jean.
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Angela Franks Wells: Copper Mine
©Angela Franks Wells, Bars
This week, we will be exploring projects inspired by place. Today, we’ll be looking at Angela Franks Wells’ series The Copper Mine.
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Jennifer Garza-Cuen and Odette England: Past Paper//Present Marks: Responding to Rauschenberg
©Jennifer Garza-Cuen and Odette England
Past Paper // Present Marks: Responding to Rauschenberg (Radius Books 2021) celebrates the photograms that resulted from the collaboration of Jenni
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PhotoNOLA: Cathy Cone: Rewinding Forward
©Cathy Cone 2022
This week we are sharing some of our discoveries from the PhotoNOLA Reviews, an annual celebration of photography in New Orleans.
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Dan Lenchner: A Photographic History
©Dan Lenchner, Boys Running at Camera, Turkey
Over the past thirty-five years, photographer Dan Lenchner has taught comparative literature, ran a catering business in New York, built an e
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Jenia Fridlyand: On Domestic Life
©Jenia Fridlyand, from Entrance to our Valley
At its opening, Jenia Fridlyand’s monograph, Entrance to Our Valley, shows a world just before waking.
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Jason Langer: Twenty Years
©Jason Langer, Elevator
“Jason seems to have absorbed the entirety of photo history, particularly the so-called “New York School”, identified by historian Jane Livngstone in her
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The Artist Intervenes: Ricardo Miguel Hernández
©Ricardo Miguel Hernandez, from When the memory turns to dust
What does it mean to be an archaeologist of imagery? Through utilizing found images to construct photographic collages, Hava
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Focus on Appropriation: Deepanjan Mukhopadhyay
©Deepanjan Mukhopadhyay, khamenei.
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