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The Female Gaze: Jane Szabo – Recent Work
©Jane Szabo – Sitka Nest (digital pigment print, 2025), from the series The Anthropocene Epoch
Los Angeles-based conceptual artist Jane Szabo merges a love for fabrication and mate
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Photographers on Photographers: Leni Mae Wiegand in Coversation with Lorenzo Triburgo
© Lorenzo Triburgo and Sarah Van Dyck, Venus, 2020
Every August we ask the previous Top 25 Lenscratch Student Prize Winners to interview a hero or a mentor, offering an opportunity for co
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Hamidah Glasgow: Beyond Resilience
Exhibition “Beyond Resilience” at The Museum of Art Fort Collins, curated by Hamidah Glasgow.
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Jordanna Kalman: Index 2014-2024 & Men Asleep
“Index 2014-2024″ © Jordanna Kalman
This week we explore works made by female-identifying lens-based artists who explore issues affecting contemporary women.
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Shelagh Howard: The Secret Keepers
“Hope is the Thing with Feathers” ©Shelagh Howard
This week we explore works made by female-identifying lens-based artists who explore issues affecting contemporary women.
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Christa Blackwood: My History of Men
©Christa Blackwood 2025
This week we explore works made by female-identifying lens-based artists who explore issues affecting contemporary women.
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Melissa Kreider: Worthy
©Melissa Kreider, S.
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Margaret Liang: Mountain of A?
©Weiyi (Margaret) Liang, For/With Charlotte, 2022
In my first semester as a graduate student at the School of the Art Institute of Chicago, I had the honor of taking Adam J Greteman’s T
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Interview with Dylan Hausthor: What the Rain Might Bring
© Dylan Hausthor
“I was recently visiting my hometown and stopped to fill up my car with gas.
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Smith Galtney in Conversation with Douglas Breault
©Smith Galtney
Smith Galtney was first a writer, and then a photographer.
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Jordan Eagles in Conversation with Douglas Breault
© J.Paul Getty Trust, 2024 Jordan Eagles, Installation of “Illuminations” at the Getty Center, Los Angeles
The past does not simply stay in the past.
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Jorge Ariel Escobar: I Think We Could’ve Been Something
©Jorge Ariel Escobar
Lenscratch recently held its annual(-ish) call-for-projects, and the response was impressive. In total, there were over 500 submissions.
Fine Art Photography Daily
