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Nancy E. Rivera: No Present to Remember
©Nancy E. Rivera
In her series No Present to Remember, artist Nancy E.
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The Female Gaze: Jane Szabo – Recent Work
©Jane Szabo – Sitka Nest (digital pigment print, 2025), from the series The Anthropocene Epoch
Los Angeles-based conceptual artist Jane Szabo merges a love for fabrication and mate
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Cyanotype Week: Annalise Neil
©Annalise Neil, Loophole
This week we are celebrating the artistry of five unique artists exploring the frontiers of cyanotype.
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Rebecca Sexton Larson: The Porch
©Rebecca Sexton Larson, Photo of my grandmother’s home and front porch
©Rebecca Sexton Larson, The Porch, Handpainted b&w silver print
The last time I sat on my great-grandmo
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Matthew Cronin: Dwelling
©Matthew Cronin, “Dwelling #3,” 2018
When I first saw Matthew Cronin’s series Dwelling, I felt a kinship.
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Kelda Van Patten: If I Had a Flower for Every Time I Think of You
©Kelda Van Patten, “Garden Magic,” 2023, archival pigment print on Hahnemühle Baryta Satin, 27.75” x 24.
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Jordan Eagles in Conversation with Douglas Breault
© J.Paul Getty Trust, 2024 Jordan Eagles, Installation of “Illuminations” at the Getty Center, Los Angeles
The past does not simply stay in the past.
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Melissa Grace Kreider: i will bite the hand that feeds
©Melissa Grace Kreider, a.l. (an american liability), 2024
This week, we will be exploring projects inspired by memory, place, and/or intimacy.
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Taylor Hedrick: Sun Felt
©Taylor Hedrick, Dad at Bat
This week, we will be exploring projects inspired by memory, place, and/or intimacy. Today, we’ll be looking at Taylor Hedrick’s series Sun Felt.
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Interview with Peah Guilmoth: The Search for Beauty and Escape
© Peah Pauline Guilmoth, “A. and O.
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Interview with Kaitlin Santoro: Memory and Photographic Ephemera
© Kaitlin Santoro, “The side door was left ajar.”, Vitreography
“My work explores time, memory, and impermanence.
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Interview with Kate Greene: Photographing What Is Unseen
© Kate Greene, image from the series, “So Much Water So Close to Home”
I first met Kate Greene as a visiting artist in one of my final critiques of undergrad.
Fine Art Photography Daily
