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Melissa Grace Kreider: i will bite the hand that feeds
©Melissa Grace Kreider, a.l. (an american liability), 2024
This week, we will be exploring projects inspired by memory, place, and/or intimacy.
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Taylor Hedrick: Sun Felt
©Taylor Hedrick, Dad at Bat
This week, we will be exploring projects inspired by memory, place, and/or intimacy. Today, we’ll be looking at Taylor Hedrick’s series Sun Felt.
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Interview with Peah Guilmoth: The Search for Beauty and Escape
© Peah Pauline Guilmoth, “A. and O.
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Interview with Kaitlin Santoro: Memory and Photographic Ephemera
© Kaitlin Santoro, “The side door was left ajar.”, Vitreography
“My work explores time, memory, and impermanence.
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Interview with Kate Greene: Photographing What Is Unseen
© Kate Greene, image from the series, “So Much Water So Close to Home”
I first met Kate Greene as a visiting artist in one of my final critiques of undergrad.
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Photography Into Sculpture: Susanna Gaunt
©Susanna Gaunt, “Inventory” on display at Kruk Gallery is Superior, WI in 2019.
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Leah Schretenthaler: Aloha from Hawaii
©Leah Schretenthaler, Hawaiian Chief, laser etched postcard, 4” x 6”, 2022
This week, we will be exploring projects that use the found photograph.
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Kim Beil in Conversation with Klea McKenna
©Klea McKenna, Rainbow Bruise 13, Photographic relief (embossed gelatin silver photogram, fabric dye), 23×19”, 2021
When I met Klea McKenna at her studio this winter, she had to pu
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Photography + Form Week: Marcie Scudder
© Marcie Scudder, My Mothers Garden
Photography is my first love, but at times I feel that it falls flat for me (how ironic) and I seek out other ways that may tell the story more effecti
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Focus on Vernacular: Daisy Patton
©Daisy Patton, Untitled (Dear half 5-4-1927)*, 2021, 80×60”
When personal snapshots are lost or abandoned by their owners, the memories they represent are lost with them.
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Kristiana Chan
©Kristiana Chan, Bodies of Water (2020), Seawater developed cyanotypes
Kristiana Chan’s practice materializes the ways in which our complicated, historical entanglements with the landsc
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Focus on Installation: Karen Navarro
©Karen Navarro, Fragment (2019), from The Constructed Self
There are a number of reasons why viewers might be drawn to Karen Navarro’s multimedia-minded practice.
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