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Two Keys: Unspoken Stories
©Two Keys, Pulse
“This is what we storytellers do. We restore order with imagination. We instill hope again, and again, and again. Let me prove it to you.
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Dan Lenchner: A Photographic History
©Dan Lenchner, Boys Running at Camera, Turkey
Over the past thirty-five years, photographer Dan Lenchner has taught comparative literature, ran a catering business in New York, built an e
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Mona Kuhn: Works
©Mona Kuhn, Phillipp’s Birthday, from Evidence
After years of being a fan, I met Mona Kuhn at a gathering of photographers and we bonded over our love for the desert.
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Focus on Vernacular: Daisy Patton
©Daisy Patton, Untitled (Dear half 5-4-1927)*, 2021, 80×60”
When personal snapshots are lost or abandoned by their owners, the memories they represent are lost with them.
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Focus on Vernacular: The Unperson Project
©The Unperson Project, Vaporized by Susana Moyaho, 2021
Most collections of vernacular photographs are archives of memory, visual reminders of the people, places, or events they depict.
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Spirit: Focus on Indigenous Art, Artists and Issues at The Griffin Museum
Sometimes planting a seed turns into an unexpected garden of spectacular beauty and power.
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Nate Palmer: On Domestic Life
©Nate Palmer, from Petworth
How one defines home is often dictated by scale. Home could refer to another person. Perhaps a friend, a family member, or romantic partner.
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Ward Long: On Domestic Life
©Ward Long, from Summer Sublet
Recently I’ve found myself thinking about the differences in function between a film and a photobook.
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Akea Brionne Brown: On Domestic Life
©Akea Brionne Brown, from Black Picket Fences
While a photograph inherently references the past, intentionally making images that reflect one’s own history can be a complicated affair.
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Alex Huanfa Cheng: On Domestic Life
©Alex Huanfa Cheng, from Zhiyu
When photographing a loved one, who are we really seeing? Is it possible to make portraits of others that aren’t simply images of our expectations of that
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Virginia Wilcox: Arboreal
©Virginia Wilcox, From Arboreal
Under the harsh cover of the Los Angeles smog, photographic artist Virginia Wilcox finds softness in the city’s natural landscapes.
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Deanna Dikeman: Leaving and Waving
©Deanna Dikeman, from Leaving and waving, 3/2004
Some photo projects are organic, made for personal memory keeping or a desire to document familial events, large and small.
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