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Publisher’s Spotlight: Kris Graves Projects / Monolith Editions
These past months we have been focusing on books on Lenscratch.
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Publisher’s Spotlight: Dust Collective
© Dust Collective studio detail
This month is all about books on Lenscratch.
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Digital Mediations: Penelope Umbrico: Range: of Masters of Photography
©Penelope Umbrico, Two Westons with Daido Moriyama 35mm Medium Format Superslide and lightleak multiexposure
Penelope Umbrico’s work is a complex study of digital technology’s effect
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Digital Mediations: Susana Moyaho: Misremember Me Correctly
©Susana Moyaho, Debris 14, 2020
Every portrait can be said to contain ghosts from the past, but I find none more haunting than portraits of the self.
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Text + Image: Marja Saleva: He is so obsessed with me
© Saleva, He is so obsessed with me, 2013
In He is so obsessed with me, artist Marja Saleva seeks to blur the lines between fiction and reality.
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Text + Image: Alec Soth and Christopher Fausto Cabrera: The Parameters of Our Cage
In January 2020, Christopher Fausto Cabrera sent a letter to photographer Alec Soth.
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Focus on Vernacular: Daisy Patton
©Daisy Patton, Untitled (Dear half 5-4-1927)*, 2021, 80×60”
When personal snapshots are lost or abandoned by their owners, the memories they represent are lost with them.
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Focus on Vernacular: The Unperson Project
©The Unperson Project, Vaporized by Susana Moyaho, 2021
Most collections of vernacular photographs are archives of memory, visual reminders of the people, places, or events they depict.
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Diana Patin: Tender
© Diana C Patin, Tender, 2019
Love is often an experience of great joy. However, it also has the potential to cause great pain.
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The Artist Intervenes: Kevin Hoth
© Kevin Hoth, Alpinia 01, 2020
In Immortal Chromatic, artist Kevin Hoth transforms the process of destruction into a cathartic act.
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Focus on Appropriation: Deepanjan Mukhopadhyay
©Deepanjan Mukhopadhyay, khamenei.
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Focus on Appropriation: Kristine Thompson
© Kristine Thompson, Images Seen to Images Felt (Strong)
In art, the act of using existing images and objects as source material is nothing new.
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