Kellye Eisworth, Author at LENSCRATCH

©Penelope Umbrico, Two Westons with Daido Moriyama 35mm Medium Format Superslide and lightleak multiexposure

Penelope Umbrico’s work is a complex study of digital technology’s effect

©Susana Moyaho, Debris 14, 2020

Every portrait can be said to contain ghosts from the past, but I find none more haunting than portraits of the self.

In He is so obsessed with me, artist Marja Saleva seeks to blur the lines between fiction and reality.

In January 2020, Christopher Fausto Cabrera sent a letter to photographer Alec Soth.

©Daisy Patton, Untitled (Dear half 5-4-1927)*, 2021, 80×60”

When personal snapshots are lost or abandoned by their owners, the memories they represent are lost with them.

©The Unperson Project, Vaporized by Susana Moyaho, 2021

Most collections of vernacular photographs are archives of memory, visual reminders of the people, places, or events they depict.

Love is often an experience of great joy. However, it also has the potential to cause great pain.

In Immortal Chromatic, artist Kevin Hoth transforms the process of destruction into a cathartic act.

In art, the act of using existing images and objects as source material is nothing new.

From the moment I first saw them, Kristina Knipe’s photographs captured my imagination.

Photographs of people are everywhere. As visual tools, they have many applications; faces are catalogued in identification databases.

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