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Arnold Newman Prize: C. Rose Smith: Scenes of Self: Redressing Patriarchy
©C. Rose Smith, Untitled no.
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The Aline Smithson Next Generation Award: Emilene Orozco
©Emilene Orozco, The Weight Of A Dollar
I am so honored that the Los Angeles Center of Photography created The Aline Smithson Next Generation Award in my name, to honor my 25-year legac
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MATERNAL LEGACIES: OUR MOTHERS OURSELVES EXHIBITION
Installation, Our Mothers Ourselves.
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Josh Aronson: Florida Boys
Josh Aronson, Liferaft, 2025, archival pigment print, © Josh Aronson
Josh Aronson has a new project, Florida Boys, that reconsiders what masculinity looks like in today’s culture.
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Robert Rauschenberg at Gemini G.E.L
©Robert Rauschenberg, Booster, 1967, 4 color lithograph/silkscreen, 72″ x 335 1/2″
A few weeks ago, I had the wonderful opportunity to have a preview of the exhibition, Robert
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A Yellow Rose Project: Five Years Later
© Katelyn Kopenhaver, Epstein is the Worst Kind of Virus, Covered in Filth on 4th of July | IG: @katelynkopenhaver
This week we celebrate the fifth anniversary of A Yellow Rose Project
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Maarten Schilt, co-founder of Schilt Publishing & Gallery (Amsterdam) in conversation with visual artist DM Witman
©DM Witman, Ecologies of Mourning , No.
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Erin Shirreff: Permanent Drafts
Paper sculpture, 2024. Dye sublimation prints on aluminum and latex paint. (74 3/8 × 102 1/4 × 5 3/4 in.) Courtesy of the artist and Sikkema Malloy Jenkins, New York.
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LUMINOUS VISIONS: ANDREA COTE
© Andrea Cote, “Plexus”, 2024, Cyanotype on repurposed cotton sheet, 63”x 30”
This week on Lenscratch, we look at a selection of artists creatively engaging with analog photograph
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LUMINOUS VISIONS: Shoshannah White
© Shoshannah White, Ice Core, Allan Hills, Antarctica 1901_214_5_UC1#1. Ice core photogram, gelatin silver print, 14”x11”, 2023 Ice dated approximately 4.
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Hamidah Glasgow: Beyond Resilience
Exhibition “Beyond Resilience” at The Museum of Art Fort Collins, curated by Hamidah Glasgow.
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Don’t Make Photographs, Think Them: An Exhibition Review
400 N. Peoria commemorative stamp on postcard envelope, created by Kioto Aoki and Jan Tichy. Image courtesy of Kioto Aoki.
Fine Art Photography Daily
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Andrew Lichtenstein: This Short Life: Photojournalism as Resistance and Concern December 21st, 2025
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Andrew Waits : The Middle Distance December 20th, 2025
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Photography Educator: Juan Orrantia December 19th, 2025
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Aaron Rothman: The Sierra December 18th, 2025
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The Female Gaze: Alysia Macaulay – Forms Uniquely Her Own December 17th, 2025
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Gadisse Lee: Self-Portraits December 16th, 2025
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Eli Durst: The Children’s Melody December 15th, 2025
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Martin Stranka: All My Strangers December 14th, 2025
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Overshoot #9: Liz Miller Kovacs December 13th, 2025
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Scott Offen: Grace December 12th, 2025
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Izabella Demavlys: Without A Face | Richards Family Prize December 11th, 2025
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The Family Album of Ralph Eugene Meatyard at the High Museum December 10th, 2025
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Paccarik Orue: El Muqui December 9th, 2025
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Kinga Owczennikow: Framing the World December 7th, 2025
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Richard Renaldi: Billions Served December 6th, 2025
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Ellen Harasimowicz and Linda Hoffman: In the Orchard December 5th, 2025
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Lauri Gaffin: Moving Still: A Cinematic Life Frame-by-Frame December 4th, 2025
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Elisabeth Nordeng Aanes: Ashes to Ashes December 3rd, 2025
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Ragne Kristine Sigmond: Portraits of Painterly Light December 2nd, 2025
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Mary Pat Reeve: Illuminating the Night December 1st, 2025
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Dani Tranchesi: Ordinary Miracles November 30th, 2025
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Salua Ares: Absense as Form November 29th, 2025
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Ricardo Miguel Hernández: When the memory turns to dust and Beyond Pain November 28th, 2025
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2025 What I’m Thankful For Exhibition November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 2 November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 3 November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 4 November 27th, 2025
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Pamela Landau Connolly: Columbus Drive November 26th, 2025
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Linda Foard Roberts: Lament November 25th, 2025
