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Lynda SmithSchick: The Best is in Front of Me
©Lynda SmithSchick
Recently I have been hit by a series of losses and have spent some time in state of shock and sadness.
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Adrienne Defendi: Relinquish
©Adrienne Defendi, Afternoon Toilette
I have admired Adrienne Defendi’s work for a number of years and was very happy to meet her and see her work in person at Photolucida.
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Nick Meyer: Either Limits or Contradictions
©Nick Meyer
I am afraid of dying. These pictures are an attempt to examine and confront the anxiety and eventuality that because we all were born, time will pass and so will we.
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Goseong Choi: Anchorless Land
©Goseong Choi
Goseong Choi is a photographic storyteller who uses metaphors of place, mood, person to examine his life.
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Amy Friend: Assorted Boxes of Ordinary Life
©Amy Friend, Stargazers
Amy Friend has a long practice of using vernacular photographs as a way to create art.
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CENTER’s Editor’s Choice 3rd Place Award: Sara Macel
©Sara Macel
Sara Macel received 3rd Place in CENTER’s Editor’s Choice Award.
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CENTER’s Director’s Choice 3rd Place Award: Elizabeth Claffey
©Elizabeth Claffey
Elizabeth Claffey received 3rd Place in CENTER’s Director‘s Choice Award.
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Hye-Ryoung Min: Re-membrance of the remembrance
©Hye-Ryoung Min
During an artist residency at the Woodstock Byrdcliffe Guild, photographer Hye-Ryoung Min had the chance to revisit the early documentations of her life in written form.
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Olivia Parker: Vanishing in Plain Sight
©Olivia Parker, Nattering Things
When I was in college, my mother gave me a book of Olivia Parker’s photography.
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Norm Diamond: What Is Left Behind — Stories from Estate Sales
©Norm Diamond, What is Left Behind book cover
Norm Diamond has created a poignant project on the transience of objects, photographing small stories of lives lived through items left beh
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Stacy Platt: Waterlogged
©Stacy Platt, Corner
Sometimes unfortunate life events create opportunities to see things anew, allowing for different incarnations and considerations.
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Susan Burnstine: Absence of Being
©Susan Burnstine, Absence of Being cover
I’m not exactly sure of the year, but in the early 2000’s I took a Keith Carter workshop at the Los Angeles Center of Photography and
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