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Kerry Mansfield: Expired
©Kerry Mansfield, Old Yeller, Covers Front & Back, from Expired
©Kerry Mansfield, The Giant Golden Book of Dogs, Cats & Horses, Check-Out Card Front & Back
“We must
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Victoria Will: Borne Back
Sam Shepard poses for a tintype (wet collodion) portrait at The Collective and Gibson Lounge Powered by CEG, during the 2014 Sundance Film Festival in Park City, Utah.
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Jenny Sampson: Skaters
©Jenny Sampson, Cover of Skaters
I had the pleasure of meeting Jenny Sampson at Photolucida last April.
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Carrie Boretz: Street: New York City – 70s, 80s, 90s
©Beaver and Wall Street, 1994, From Street by Carrie Boretz, published by powerHouse Books
I have always been more interested in the subtle and familiar moments of everyday life, not th
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Jason Reblando: New Deal Utopias
©Jason Reblando, Cover for New Deal Utopias
Jason Reblando has spent much of his practice considering place, space, and architecture.
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Nick Meyer: Either Limits or Contradictions
©Nick Meyer
I am afraid of dying. These pictures are an attempt to examine and confront the anxiety and eventuality that because we all were born, time will pass and so will we.
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Priscilla Briggs: Impossible is Nothing: China’s Theater of Consumerism
©Priscilla Briggs, Impossible is Nothing Book Cover
China’s rapid economic growth has resulted in a complex transformation both constructive and destructive of that country’s cultura
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Lauren Greenfield: Generation Wealth
“Limo Bob”, the self-proclaimed “Limo King”, holds the record for owning the longest limousine in the world.
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Brandon Thibodeaux: In That Land of Perfect Day
©Brandon Thibodeaux, from In That Land of Perfect Day
I wouldn’t say that I know Brandon Thibodeaux in an intimate or profound way, but I have always felt that he was something spec
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Norm Diamond: What Is Left Behind — Stories from Estate Sales
©Norm Diamond, What is Left Behind book cover
Norm Diamond has created a poignant project on the transience of objects, photographing small stories of lives lived through items left beh
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Ciara Duffy: Down, Down, Baby
©Ciara Duffy
Look how absurd I was when I was young’ forestalls cruel criticism, but it falsifies history…. Those emotions were real when we felt them.
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Greg Girard: Under Vancouver
When I started making these photographs, especially the pictures of people in the mid-1970s, I felt like I was photographing a world nobody knew anything about, apart from the people living
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