Fine Art Photography Daily

Earth Week: Nick Brandt: The Day May Break

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©Nick Brandt, Alice, Stanley, and Najin, Kenya, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

Alice and Stanley Mwangi   
Floods destroyed Alice and Stanley’s house in central Kenya in 2017. They were too frightened to stay in case more floods came in the future. They had a little money to start a new life, so they moved to Nanyuki and looked for a small house. Initially, they were only able to find menial jobs like washing cars and tilling land. Stanley now works as an electrician and Alice does laundry.


This week’s bodies of work are linked by this thematic lens:  making the often-invisible nature of the global climate and the ecological crisis more visible using conceptual, lens-based art techniques.  Each body of work speaks to a different aspect of the climate and ecological crisis:  sea level rise; coral bleaching; habitat loss and environmental destruction; deforestation; melting glaciers; plastic pollution.

Photographed in Zimbabwe and Kenya in late 2020, The Day May Break is the first part of a global series by photographer Nick Brandt, portraying people and animals that have been impacted by environmental degradation and destruction. The people in these photographs have all been badly affected by climate change—some displaced by cyclones that destroyed their homes, others such as farmers displaced and impoverished by years-long droughts. Photographed at five sanctuaries/conservancies, the animals are almost all long-term rescues, victims of everything from the poaching of their parents to habitat destruction and poisoning. These animals can never be released back into the wild. As a result, they are habituated, and it was safe for human strangers to be close to them and photographed in the same frame at the same time.  The fog on location is the unifying visual motif, conveying the sense of a once-recognizable world now fading from view.  However, despite their respective losses, these people and animals have survived, and therein lies possibility and hope. The series continues in 2022 in South America.

Brandt has also released the mongraph, The Day May Break, published by Hatje Cantz Verlag, in 2021 and it is available through photoeye Books.

The themes in Nick Brandt’s photographic series always relate to the destructive impact that humankind is having on both the natural world and now humans themselves too. This began with his trilogy On This Earth (2005), A Shadow Falls (2009), Across the Ravaged Land (2013). The escalating destruction, and its impact on both the wild animals and the rural poor led to the creation of Inherit the Dust (2016) and This Empty World. (2019). The most recent work was The Day May Break (2021), the first part of a global series. Brandt has had multiple solo exhibitions in museums and galleries worldwide. In 2010, Brandt co-founded Big Life Foundation, a nonprofit that now protects 1.6 million acres of the Amboseli/Kilimanjaro ecosystem of Kenya and Tanzania.

Follow Nick Brandt on instagram: @nickbrandtphotography

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©Nick Brandt, Fatuma, Ali & Bupa, Kenya, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

 Ali and Fatuma Mohamed

  Ali and Fatuma originally lived as nomads with their livestock in northeastern Kenya. But starting in 2010, extended severe droughts killed all their goats and cows. It got to the point where they had no food and little clothing. Everyone fled to wherever they could; a lot of people died. Ali and Fatuma were forced to move to a town further south. They are still not able to go back home.
Bupa
Ol Jogi Conservancy, Kenya
A century ago, there was an estimated 10 million elephants across the length and breadth of sub-Saharan Africa. Today, in 2021, there are, at best, 400,000 remaining in the wild, mainly due to poaching for their ivory.

Zimbabwe has the second highest population in Africa, perhaps 65,000 as of 2020. However, since 1965, the country has engaged in the periodic culling of elephant herds, families, and individuals, due to what is regarded as an excess population.

Once upon a time, there would have been no such thing as an “excess population,” because there would have been enough land for them to roam and migrate. But with habitat loss and destruction, and human encroachment, this forces elephants into the remaining uninhabited areas, resulting in severely damaged woodlands from overgrazing. And then the culling begins.

Teresa and Samuel used to live and farm in the central Highlands of Kenya. But in 2016, after three months of constant rain, landslides from the flooding covered and destroyed their house and killed their livestock.

They were forced to move to Nanyuki, where life has been a real struggle, a hustle, finding menial jobs. Samuel says “I don’t even like to remember where we lived before – it’s too upsetting.”

With climate change, the situation becomes much worse, as vegetation and woodland dies off and burns, and humans and wild animals search for what remains.

Bupa and another elephant, Jackie, were 8 or 9 years old in 1989, when they were rescued from a culling project in Zimbabwe by the owner of Ol Jogi Conservancy in Kenya. Their parents would have been killed.

Bupa and Jackie bred at Ol Jogi and had a daughter, Meisha. Jackie died from a viral infection in 2019.

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©Nick Brandt, Halima, Abul and Frida, Kenya, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

Halima Hussein
Halima and her husband lived in northeastern Kenya, where they raised livestock including camels. Af-ter 5-6 years with only one rainy season, the drought in 2013 was especially bad. The wells dried up. Not only did the cows and goats die, but even their camels died. The government would provide relief food once a year, but it was not enough to depend on.

Halima’s husband left her, and so she and her children had to move south to Nanyuki. She is now forced to do menial jobs to raise her kids.

Frida 
Ol Jogi Conservancy, Kenya
In 2018, Frida, a Greater Kudu, was found when very young at the entrance gate of Ol Jogi. There’s a high possibility that her mother was killed by some hunters, victim of the illegal bushmeat trade.

Kudu are declining in population across areas of sub-Saharan Africa due to illegal bushmeat poaching, habitat loss and deforestation.

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©Nick Brandt, Harriet and people in fog, Zimbabwe, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

Harriet, Giant Eagle Owl
Kuimba Shiri, Zimbabwe
Harriet has lived at Kuimba Shiri for 35 years, rescued when she just a chick as a result of deforestation. As with many of the birds rescued by Kuimba Shiri as chicks, they would not survive if reintroduced into the wild.

Giant eagle owls are actually widespread across sub-Saharan Africa, although perhaps declining in rural areas.

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©Nick Brandt, Helen and Sky, Zimbabwe, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

Helen Nyamachete
Helen has a small plot of land where she tries to farm maize, but because of the lack of rainfall and dried up wells, her crops have repeatedly died. In 2019, almost all her chickens also died because of disease. As a result, she has little food and lives in poverty.
Sky (photo with Helen)
Wild is Life, Zimbabwe
Sky is four years old, a southern African giraffe. She came from a farm south of Harare. The original wildlife there was nearly all killed by new settlers, leaving just two giraffes. Due to her age and perhaps also trauma, she had been unable to raise her own calves: when she had a calf, they always died because she did not feed them. The farmer called Wild Is Life to come and help. At the sanctuary, the calves Sky and Missy were raised until they were well enough to survive on their own.

The southern African giraffe, of which, as of 2021, there are less than 30,000 remaining in the wild, is listed as threatened. Across the continent of Africa, there are barely more than 100,000.

Shockingly, in Zimbabwe, giraffes are not a protected species; hunting, the removal of animals and animal products from a safari area, as well as the sale of animals and animal products is permitted.

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©Nick Brandt, James and Fatu, Kenya, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

James Gikandi
James used to own a five-acre farm in central Kenya. He was successful and “life was good.” But years of long droughts made making a living harder and harder, until 2015, when bankrupt, he was forced to move with his wife and child and look for a job of any kind. This formerly proud, independent farmer has been reduced by climate change to being a casual laborer in the county market.
Fatu
Ol Pejeta Conservancy, Kenya

Fatu is one of the last two northern white rhinos in the world. When Fatu dies, the species will be extinct. Once upon a time, the northern white rhino’s range extended through central Africa. But decades of poaching have taken its grim toll.

Fatu was born in captivity, and had been living, along with two males, in Dvůr Králové Zoo in the Czech Republic. In 2009, the four rhinos were moved to Ol Pejeta Conservancy in Kenya in the hope that they would have a better chance of breeding. Sadly it never worked out. Sudan, the last male, died in 2018.

So now, complex in vitro fertilization procedures—never before attempted in rhinos—are conducted several times each year in a final attempt to keep the species from going extinct.

In the meantime, Ol Pejeta has around-the-clock armed security for  Fatu.

James,-Peter-and-Najin,-Kenya,-2020-2000px

©Nick Brandt, James, Peter and Najin, Kenya, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

James Gikandi
James used to own a five-acre farm in central Kenya. He was successful and “life was good.” But years of long droughts made making a living harder and harder, until 2015, when bankrupt, he was forced to move with his wife and child and look for a job of any kind. This formerly proud, independent farmer has been reduced by climate change to being a casual laborer in the county market.
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©Nick Brandt, Luckness, Winnie and Kura, Zimbabwe, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

Luckness Mulunga 
Before Cyclone Idai hit, Luckness was employed and lived an uneventful life. But the cyclone destroyed her house, and she and her two children were swept away by the waters. One of her two children suffered a spinal fracture, which has left her permanently disabled.

Currently, Luckness and her children are living in a makeshift camp for displaced people affected by the cyclone.

Cyclone Idai was a terrifying harbinger of what climate change will bring in the coming years: more frequent high-intensity storms. And with that comes, of course, more destruction.

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©Nick Brandt, Patrick and Flamingos, Kenya, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

Patrick Chamutita  
Patrick has been a fisherman in Zimbabwe for 5 years, but the declining water levels in Lake Chivero is now making it difficult for him to continue fishing. The fish catches for t \ day have dramatically declined. Patrick is also a farmer, but again, the ongoing drought has affected his crops.
Greater and Lesser Flamingos
Kuimba Shiri, Zimbabwe
The flamingos at Kuimba Shiri have been rescued over the years for various reasons. One flew into an overhead power cable, breaking his wing and falling into the crocodile-infested river down below. A couple managed to scoop it out and bring it to Kuimba Shiri 400km away. Another flamingo came in from being poisoned by contaminated water.

Lesser flamingos are declining as the number of breeding sites for them diminish.

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©Nick Brandt, Regina, Jack, Levi and Diesel, Zimbabwe, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

Jack Stewart and Regina Mahove
For Jack and Regina, their only source of food is a small plot of land for growing vegetables. However, in recent years, their crops have failed, and with the worsening drought most of the local rivers and wells have dried up. This has forced them to go begging for water in surrounding areas. Sometimes they go for a couple of months with little food, forced to live off handouts.
Diesel and Levi
Wild is Life, Zimbabwe

Diesel and Levi’s mother was killed by a farmer protecting his livestock. They came to Wild Is Life when they were about six weeks old, full of ringworm and very thin. Wild Is Life managed to pull them through, but because they were so young and so domesticated, they were poor candidates for release.

14 years old when photographed, they have had healthy lives with daily walks. In March 2021, Diesel died aged 15, a grand old age for a cheetah, whose average life span is 10-12 years.

The current situation for cheetahs in Africa is stark: driven out of over 90% of their historic range, the population across the continent is down to less than just 7,000 in 2021. At the current rate of decline, cheetahs are heading toward extinction.

As ever, habitat loss is one of the main reasons. With that also comes the decline and disappearance of the species that they prey on, as those are killed by humans for bushmeat. Even in protected areas, cheetahs are in decline, partly because the animals need room to roam.

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©Nick Brandt, Richard and Sky, Zimbabwe, 2020, Courtesy of Fahey Klein Gallery, Los Angeles

Richard Moya   
Richard lives with his wife and children in eastern Zimbabwe. Originally, a maize farmer and cattle owner, extended droughts from 2010 onward began to dramatically impact his livelihood. He drilled a bore-hole, but it has since run dry. So, he turned to farming tobacco as a way to survive. Richard used to own fourteen cattle. But because of the drought, all the cows have died from disease. Richard now struggles to provide for his family and is unable to send his children to school.

Richard feels that the reduction in rainfall has been caused not just by climate change, but also by the clearing of forests for the production and curing of tobacco, which has left vast stretches of forests in the area barren.

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Nick Brandt photographing The Day May Break


Michael O. Snyder is a photographer and filmmaker who uses his combined knowledge of visual storytelling and conservation to create narratives that drive social impact. Through his production company, Interdependent Pictures, he has directed films in the Arctic, the Amazon, the Himalaya, and East Africa.  His photojournalism work has been featured by outlets such as National Geographic, The Guardian, and The Washington Post.  He is a Portrait of Humanity Award Winner, a Society of Environmental Journalists Member, a Pulitzer Center Grantee, and a recent delegate to the United National Climate Conference.  He holds an MSc in Environmental Sustainability from the University of Edinburgh, Scotland and a BSc from Dickinson College, Pennsylvania.  He lives in the shadow of the Blue Ridge Mountains of Central Virginia.

Follow Michael O. Snyder on Instagram: @michaelosnyder

Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.


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