Portrait Archives - Page 46 of 105

Photographers Of Color: Aaron Turner: Arkansas by Aline SmithsonOctober 10th, 2016

©Aaron Turner, Cordova, Tennessee (Mother)

Since the beginning of my photo journey, I have thought a lot about the community in which I make work.

Pamela Littky: The Villa Bonita by Aline SmithsonSeptember 13th, 2016

©Pamela Littky, Book cover for La Villa Bonita

Growing up in a neighborhood on the fringes of Hollywood, I would often find myself imagining what was going on behind certain closed doors,

D. Clarke Evans: Semper Fidelis and World War II Veterans by Aline SmithsonAugust 30th, 2016

©D. Clarke Evans, Hershel W. Williams CEO4 USMC, Ret. 1943-1945 & 1952-1969 WWII: Medal of Honor Awardee during Battle of Iwo Jima.

Jessica Eve Rattner: House of Charm by Aline SmithsonAugust 29th, 2016

@Jessica Eve Rattner, A dresser in the master bedroom of Lee’s house which is largely as it has been since she moved in a half-a-century ago.

ReRuns: Jayanti Seiler: Of One and The Other by Aline SmithsonAugust 23rd, 2016

This week, LENSCRATCH is revisiting older posts, Mixtapes, and Interviews.

Arthur Drooker: Conventional Wisdom by Aline SmithsonAugust 20th, 2016

Conventions are fascinating temporary communities where groups of people come together to share their obsessions, fetishes, and passions for a range of activities that completely boggle the

McNair Evans: The States Project: California by Aline SmithsonAugust 8th, 2016

It’s not an easy task to take on the California States Project Editorship.

Melanie Metz: Davie by Aline SmithsonAugust 4th, 2016

©Melanie Metz

Sometimes work crosses my path that makes me want to see more. and more. and a little bit more.

J. Raymond Mireles: Neighbors by Aline SmithsonAugust 3rd, 2016

In a time when American political and social landscapes divide rather than unify, photographer J.

Frederic Weber: Memento Mori and Primary Light by Aline SmithsonAugust 1st, 2016

From Momento Mori: For all their brilliance, Frederic Weber’s fiery gold and red Cibachrome photographs are somber and disturbing.

Nicole Buchanan: The Skin I’m In by Aline SmithsonJuly 22nd, 2016

I’ve always felt that what every human wants is simply to be seen. Seeing leads to understanding, appreciating, and recognizing ourselves in each other.