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Focus on Vernacular: The Unperson Project
©The Unperson Project, Vaporized by Susana Moyaho, 2021
Most collections of vernacular photographs are archives of memory, visual reminders of the people, places, or events they depict.
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Diana Patin: Tender
© Diana C Patin, Tender, 2019
Love is often an experience of great joy. However, it also has the potential to cause great pain.
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The Artist Intervenes: Kevin Hoth
© Kevin Hoth, Alpinia 01, 2020
In Immortal Chromatic, artist Kevin Hoth transforms the process of destruction into a cathartic act.
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Focus on Appropriation: Deepanjan Mukhopadhyay
©Deepanjan Mukhopadhyay, khamenei.
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Focus on Appropriation: Kristine Thompson
© Kristine Thompson, Images Seen to Images Felt (Strong)
In art, the act of using existing images and objects as source material is nothing new.
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Focus on Portraiture: Kristina Knipe: Talisman
© Kristina Knipe, Whit and Colin During Quarantine
From the moment I first saw them, Kristina Knipe’s photographs captured my imagination.
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Focus on Portraiture: Colin Roberson: Taxi Dance
©Colin Roberson, Stuffing
Photographs of people are everywhere. As visual tools, they have many applications; faces are catalogued in identification databases.
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Focus on Collage: George P. Perez
© George P Perez, Beach Plum, 2018
Snapshots are a unique kind of photograph.
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Focus on Collage: Tya Alisa Anthony
© Tya Anthony, Two of Cups
This week at Lenscratch, we’re focusing on artists who use collage- the method of combining unrelated visual elements to create a new image- in their creative
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Amrita Stützle: The 2020 Lenscratch Student Prize Winner Honorable Mention
©Amrita Stützle
It is with great pleasure that we announce the 2020 Lenscratch Student Prize Honorable Mention Winner, Amrita Stützle.
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Thesis Project: Antonia Stoyanovich and Cassandra Klos
©Antonia Stoyanovich, Her Own Rodeo, 2018
The American South and the American West occupy places of mythic proportions in our collective imagination.
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Thesis Project: Phillipa Klaiber
©Phillipa Klaiber, Untitled #8 from the series Vorest, 2020
In my mind, the place described in Phillipa Klaiber‘s Vorest hovers somewhere between the realms of truth and fantasy.
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