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Alina Saranti: Far From
©Alina Saranti, Far From #1, hand stitching on pigment inkjet print, 8×10 inches
I am drawing on the history of embroidery as both a symbol of female submission and a weapon of resis
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Archive 192: Abstract Photographs by Women
©Sara Angelucci (Canada, b. 1962) Coppley Patterns (DM) 2017 Chromogenic print 24 x 15.25 inches
©Jennifer Garza Cuen (American, b. 1972) Nicole A.
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A Second Gaze: The Over It Edition
©Christina Coral, Making architecture, staircase Italy | Originally published in the 2021 Fvaorite Photo Exhibition
A Second Gaze: The Over It! Edition
In today’s feature we are th -
TOP #20 Cyanotypes: Botanicals
Top #20 Botanical Cyanotypes on view at the Griffin Museum of Photography
The 226th Anna Atkins Birthday Exhibition at the Griffin Museum of Photography
Anna Atkins’s (1799–1871) expe -
Amitis Motevalli at East Window Gallery
© Amitis Motevalli
Amitis Motevalli grapples with personal history, political conflict, and cultural stereotypes to expose the nuanced reality of Islamic and Iranian identity.
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Beyond the Photograph: Crafting Effective Exhibition and Publication Proposals
© Jeanine Michna-Bales, Various Project Introductions and Updates
Beyond the Photograph is a Lenscratch monthly series dedicated to helping photographers grow their artistic practices be
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Melissa Kreider: Worthy
©Melissa Kreider, S.
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Joan Haseltine: Bluest Bruise
©Joan Haseltine, from Bluest Bruise
It’s our journey to death that individualizes us.
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Jordan Eagles in Conversation with Douglas Breault
© J.Paul Getty Trust, 2024 Jordan Eagles, Installation of “Illuminations” at the Getty Center, Los Angeles
The past does not simply stay in the past.
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“notes from a body inverted” by Emme Rovins – Exhibition at Gravedigger’s Daughter
© Emme Rovins
Modern day modes of botanical taxonomy are still based on a system that focused attention on the organs of generation within plants, “unleash[ing] onto the public imaginat
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Susan Worsham: Crystals of Silver
©Susan Worsham, FINN AT WALL, 2020 Gelatin silver print, 32 x 40 inches framed. Edition of 3.
I have been a looooooong time fan of Susan Worsham and her spectacular photographs.











