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Justin Levesque: Place/Hold
©Justin Levesque, 1 Day at Sea Feels Like 3 Days on Land: 13.03LM 1/3, 13.03LM 2/3, 13.
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Thinly Veiled at Cassilhaus
©Jack Spencer, Gladys and her Mother Behind Clothesline, Cove City, NC, 1998/1999, Vintage Toned Gelatin Silver Print
One of the highlights of attending the Click! Photo Festival was bein
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Eliot Dudik: Country Made of Dirt
©Eliot Dudick, Country Made of Dirt
Whatever photographic project Eliot Dudik undertakes, the result is at such a high level of excellence that his methodology and imagery inspires and de
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Paradise Out-Front at the Southern Gallery
©Bryan Schutmaat, Refuge, 2012
My idea of paradise might be pretty banal – simple beauty in an unadulterated landscape – but I can’t be any more honest than that.
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Eliot Dudik: Paradise Road
©Eliot Dudik, Paradise Road, Waldo, KS
I have come to the conclusion that there isn’t much that my friend Eliot Dudik can’t do.
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Eliot Dudik: States Project: Virginia
©Eliot Dudik, Canal in Fog, Near Highway 17, Road Ends in Water
The LENSCRATCH States Project continues with the state of Virginia and the wonderful Virginian Guest Editor, photographer E
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Breaking Ground: Contemporary Photography at the College of William & Mary
Jason DeMarte, Manifest Destiny, From the Series: Nature Preserve 2011 33×40 inches
Photographer and educator Eliot Dudik has created a remarkable exhibition, Breaking Ground: Contemp
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Unbound 3! at Candela Books + Gallery
Priya Kambli, “Dada Aajooba and Dadi Aaji,” 2012. 8 x 8 inches. Archival inkjet print.
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Eliot Dudik: Broken Land
Battle of Antietam, Maryland
My goals are to create landscapes that come alive with the acts of war, and cause, at least, contemplation of the nature of being American, to allow understan
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The Penumbra Foundation presents: The Artist in a Professional World: Three Photographers Three Perspectives
©David Carol
©Paris Visone
©Eliot Dudik, Battle of South Mountain at Fox’s Gap, Maryland from BROKEN LAND
New York City is a photographer’s paradise, offering exhibition
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Eliot Dudik: Road Ends in Water
When Eliot Dudik talks about acknowledging the “modest souls of the low country in South Carolina”, he does it with a large format camera and a dose of grace and humility in his
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