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Richard Tuschman: My Childhood Reassembled
©Richard Tuschman, Early Morning Date: 2016–2019 While my mother was exceptionally responsible, conscientious, and caring, expressing love through physical affection was, for various und
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Ingvild Melby: The Present is Woven with Multiple Pasts
©Ingvild Melby
Projects featured this week were selected from our call-for-submissions. We will be accepting new projects for review from April 4th-10th, 2021.
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Meghan Marin: The Sound of the Sun
©Meghan Marin
Projects featured this week were selected from our call-for-submissions. We will be accepting new projects for review from April 4th-10th, 2021.
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Ashleigh Coleman: Hold Nothing Back
©Ashleigh Coleman, Bloody Nose Birthday
Several years ago, Alexa Dilworth and I had the great pleasure of juroring the Slow Exposures: Celebrating Photography of the Rural South Exhibitio
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Will Harris: You Can Call Me Nana
©Will Harris, Cover of the book, You Can Call Me Nana, by Overlapse
As with all things in life, the physical reality of an object or person is truly more satisfying.
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Karen Davis: Still Stepping: A Family Portrait
©Karen Davis, Still Stepping Book Cover
Twenty-five years ago, Meredith Morgan, Edward Orton and their children, Parker and Maggie, became the primary subjects of my photographic explorat
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Michael Grant: Do You Want to Dance?
©Michael Grant, Connie, June 1957
To me, the archive is a complex site. Archives can reveal or hide, be hoarded or shared, harm or do good, tell the truth or a lie.
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Covid Projects: Billy Hickey: How We Were
©Billy Hickey, Rob Hickey, 64, looks out the front door window as Alex Hickey, 23, lays on the couch in Arlington, MA., April 16, 2020.
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Carole Glauber: Personal History
©Carole Glauber, Ben With Hose, 1990
©Carole Glauber, Sam and Ben in the Backyard, 1995
The pandemic has been affecting us for a year now, separating us from family and friends.
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Focus on Portraiture: Maria Mavropoulou: Family Portraits
©Maria Mavropoulou, The Lovers, from the Family Portrait Series
Technology has become such a ubiquitous part of who we are, so much so that our computers, iPads, and cell phones are as mu
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Laurie Blakeslee: The States Project: Idaho
©Laurie Blakeslee, Young Guy
Laurie Blakeslee’s photography is a poignant look inside family, memory and loss, capturing moments of her aging parents and their consuming passions -
Hannah Manuelito: Identities that Build a Culture
© Hannah Manuelito
Growing up I struggled in defining who I was. I was insecure in the fact that I did not know how to speak Navajo or I was not as traditional as my family members.
Fine Art Photography Daily
