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Rhiannon Adam: Big Fence/Pitcairn Island
©Rhiannon Adam, Big Fence/Pitcairn Island
The stunningly beautiful volume, Big Fence/Pitcairn Island, is a Venus-flytrap of a photo archival narrative that lures you into the history, mys
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Richard Misrach: Notations
©Richard Misrach
Richard Misrach’s monograph Notations (Radius Books, 2022), is a collection of photographs spanning from 2006-2021.
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Rachel Papo: It’s Been Pouring
©Rachel Papo, from It’s Been Pouring
Photographer Rachel Papo has recently released a Kickstarter campaign for her new book by Kehrer Verlag titled, It’s Been Pouring.
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scott b. davis: sonora
©scott b. davis, sonora, Radius Books
The photographs in scott b. davis‘s monograph sonora (2021, Radius Books) explore remote landscapes in the western United States.
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Carol Erb: Small Wonders
©Carol Erb, Magic, from Small Wonders
Magic
My father took me to a magic show when I was young. I was not impressed. Even then I knew about trickery and deceit. -
Sara Jane Boyers: The Ghostlight Project
©Sara Jane Boyers, UCLA’s Royce Hall Ghost light
There was a rare opportunity at this time to enter into these interior spaces, large and small; capture them and show what had been lost
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Annu Palakunnathu Matthew: The Answers Take Time
©Annu Palakunnathu Matthew
For the past several months, we have been featuring Photo Book Publishers on Lenscratch in our Publisher’s Spotlight series.
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Julia Vandenoever: Still Breathing
©Julia Vandenoever, from Still Breathing
Julia Vandenoever has just released a new monograph, Still Breathing, published by Gray Sky Press.
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Gloria Baker Feinstein: I Hope You Find What You’re Looking For
©Gloria Baker Feinstein, Amanda, Kansas City, Missouri
“For me, photography has become a mindful and meditative process.
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Publisher’s Spotlight: Kris Graves Projects / Monolith Editions
These past months we have been focusing on books on Lenscratch.
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Alex Harris: Our Strange New Land
Cover for Our Strange New Land, published by Yoffy Press
Alex Harris’ new book, Our Strange New Land (co-edited with Margaret Sartor), looks to reframe the question “How do you tell th
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