Blue Earth Alliance: Richard Street: Knife Fight City and the Kingdom of Dust
A hard-luck story from a hard-luck place, Richard Street’s “Knife Fight City and the Kingdom of Dust” takes us to Huron, the poorest town in California. Direct on-camera flash lends a Weegee-like aesthetic to desperate scenes of migrant men running afoul of the law, or a rival gang, or their own worst impulses. See a close overhead shot of EMTs resuscitating one field hand overdosing on black tar heroin, or of a different field hand being dragged kicking and screaming into a drunk tank by a police sergeant, the hand-to-hand human contact forming a perverse visual counterpoint of the Sistine Chapel ceiling. But Street aligns himself more pointedly with the empathetic tradition of Dorothea Lange, following immigrant agricultural workers after their workday to a lonely gully wilderness where they eke out an existence on the bank of a ditch, tending to their hand-built homes of cardboard and corrugated metal under a California sun. —Thomas Patterson
Knife Fight City and the Kingdom of Dust
Knife Fight City and the Kingdom of Dust explores an unacknowledged variety of American apartheid in Huron, poorest town in California, where an American peasantry slaves for industrialized agriculture in a giant farm labor exploitation camp. Huron does not have a newspaper, Burger King, Little League, high school, or Chamber of Commerce; it does have six labor camps, 5 bars, and two gangs, the Norteños and Bulldogs, who shoot one another on site and vie for control of the drug trade. Located in the southwestern corner of Fresno County, the richest agricultural county on the planet, Huron’s politics are bloody – one mayor had his automobile shot up by an AK-47; a councilwoman’s home was bombed; another mayor died in prison. Huron is the only town in Westlands Water District (WWD), whose multibillion dollar corporate empires are the antithesis of the settled, family- oriented landscape that originally justified the Roman Aqueduct-sized canal that irrigates surrounding farms. – Richard Street
Richard Steven Street is an academically-trained historian, fluent in the commercial and journalistic idioms, who deliberately veered from the anointed path in order submerge in the contemporary side of the fields and subjects that are his special passion and expertise.
He is trying to carry on, extend, and amplify the work of Dorothea Lange, only in color, perhaps with a harder visual edge, keep alive the tradition of documentary and concerned photography at a time when it seems in eclipse, and apply it through substantial works that focus on all facets of the ever-changing environment in rural California.
Blue Earth Alliance is focused on partnering with photographers and filmmakers who educate the public about critical environmental and social issues. Founded in 1996 as a 501 (c) (3) non-profit organization by photographers Natalie Fobes and Phil Borges, Blue Earth Alliance supports visual storytellers through fiscal sponsorship and other resources. The organization extends tax-exempt status to photographers and filmmakers whose projects are accepted after an application and review process. Accepted projects are allowed to seek grants and tax-deductible donations under the sponsorship of Blue Earth Alliance. Learn more about the organization and its sponsored projects at blueearth.org.
Posts on Lenscratch may not be reproduced without the permission of the Lenscratch staff and the photographer.
Emily Matyas: SOL Y TIERRA / SUN AND EARTHMay 27th, 2019
The CENTER Awards: The Me & Eve Award: Lori HawkinsMay 10th, 2019