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Mexico Week – David Muñiz: Between the Archive and the Algorithm
©David Muñiz, MEX-I-CAN
When I think of Mexico Week I don’t just see it as a series of interviews, but as a compass of what’s yet to come.
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Mexico Week – Tomás Casademunt: Time Frozen by Light
©Tomás Casademunt, “Museo Nacional de Antropología – Coatlicue,” from the series TC2025, ambrotype, 8×10″
When I think of Mexico Week I don’t just see it as a ser
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BEYOND THE PHOTOGRAPH: Q&A WITH COMMERCIAL PHOTOGRAPHER ANDY MAHR
© Andy Mahr, still image for Toyota, 2025.
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Zanele Muholi: 2026 Hasselblad Award Laureate
©Zanele Muholi, Qiniso, The Sails, Durban, 2019
The Hasselblad Foundation is delighted to announce that Zanele Muholi is the 2026 Hasselblad Award laureate – the world’s largest photo
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Greg Miller: Morning Bus
©Greg Miller, from Morning Bus.
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Binh Danh: Belonging in the National Park
©Binh Danh, Bridalveil Fall, Yosemite National Park, 2025 Daguerreotype Plate: 12 x 20 inches Frame: 19 3/4 x 27 1/4 x 1 1/2 inches
The Center for Photographic Art recently opened the exh
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Tom Zimberoff: The White Fence and more..
©Tom Zimberoff, Carlos
After yesterday’s Black and White Portrait exhibition, today continues our exploration of faces in monochrome.
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The 2026 Black and White Portraits Lenscratch Exhibition
@Angelika Kollin, Portrait of Lethu, @angelikakollin
The 2026 Black and White Portraits Lenscratch Exhibition
Part 1 | Part 2
Earlier this year we invited artists to submit black and white -
The 2026 Black and White Portraits Lenscratch Exhibition | Part II
© Giulia Filippi, Point Break, 2023 @iovi_sacra_art
The 2026 Black and White Portraits Lenscratch Exhibition
Part 1 | Part 2
Earlier this year we invited artists to submit black and whit -
Lonnie Graham: A Conversation with the World
©Lonnie Graham, Book Cover of A Conversation with the World, published by Datz Press
©Lonnie Graham, Adia, Senegal
“I think generosity begins with acceptance.
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Cheryle St. Onge: Calling the Birds Home
©Cheryle St. Onge, Book Cover for Calling the Birds Home, published by L’Artiere
I remember first seeing Cheryle St.
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Femina at Gallery 169
Tomorrow, Gallery 169 in Santa Monica, California, opens the exhibition, FEMINA, curated and concepted by Sal Taylor Kydd.
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