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In Conversation with Louis Jay: Marrakech Face to Face
©Louis Jay, Book Coverfrom Marrakech Face to Face
Some life experiences stay in the “photograph not taken” album which is more of a mental scrapbook that a tangible one.
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Review Santa Fe: Ilana Grollman: Just Know That I Love You
©Ilana Grollman, Your Sweater on the Bed, 2024
In early November 2025, I was invited to CENTER’s Review Santa Fe.
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Review Santa Fe: jessamyn lovell: How To Become Invisible
©jessamyn lovell, Guardia de Seguridad para el Pueblo (AKA: Security Guard), 2021 Security Guard aims to obscure my gender and identity altogether to become a faceless, nameless security g
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Review Santa Fe: Patricia Howard: Unknown Ancestors
©Patricia Howard, Unknown Ancestors: Dress with Gorse Flowers
In early November 2025, I was invited to CENTER’s Review Santa Fe.
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Review Santa Fe: Lulu Hamilton: Even if Only Just For Right Now
©Lulu Hamilton, Zoë in the Green Room, 2025
In early November 2025, I was invited to CENTER’s Review Santa Fe.
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Review Santa Fe: Ania Moussawel: The Days Are Long
©Ania Moussawel, Four Generations
In early November 2025, I was invited to CENTER’s Review Santa Fe.
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Yana Nosenko: Beds
© Yana Nosenko, 22.12.
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Anna Guseva: The Black Night Calls My Name
© Anna Guseva
This week on LENSCRATCH guest editor Yana Nosenko brings together the work of four photographers tracing the post-Soviet condition.
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Madeleine Morlet: The Body Is Not a Thing
©Madeleine Morlet, Reva (Playa Del Rey, Los Angeles) May 2022
A few months ago I had a conversation with photographer and educator, Madeleine Morlet about a long term project she is makin
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South Korea Week: Yang JaeMoon: Blue Journey
©Yang Jaemoon_Blue Journey_1994
The spirit of a nation is often intangible, yet it breathes through the tangible forms of its culture—its food, architecture, and most vividly, its cloth
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Yorgos Efthymiadis: The James and Audrey Foster Prize 2025 Winner
©Yorgos Efthymiadis, Susie and Maria, from The First Ones in Line
2025 was a spectacular year for Yorgos Efthymiadis.
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