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Brice Bischoff: How Close
Front cover, How Close © Brice Bischoff, published by (w)hole, 2023
How Close by artist Brice Bischoff is a series of sublime interventions at Red Rock Canyon in the Mojave Desert.
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Mexican Week: Cannon Bernáldez
© Cannon Bernáldez, El orden normal de las cosas, courtesy the Artist and Patricia Conde Galería
Cannon Bernáldez is acutely aware and outspoken of the ways in which sectors of Mexican
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Semana Mexicana: Felipe “Chito” Tenorio
© Felipe Tenorio,”Acanto” de la serie “VÍA DOLOROSA,” cortesía del artista
La entrevista inaugural de esta serie de seis partes sobre la fotografía contemporán
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Chris Hoare: Seven Hills
© Chris Hoare, from Seven Hills, published by RRB PhotoBooks
This week we feature projects that explore the psychological landscape.
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Elena Helfrecht: Plexus
©Elena Helfrecht, The Spiral, from Plexus
This week we feature projects that explore the psychological landscape.
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Krista Svalbonas: What Remains at the Marshall Gallery
©Krista Svalbonas, Blomberg, laser cut pigment print
Krista Svalbonas has recently opened an exquisite and historic exhibition at the Marshall Gallery in Santa Monica, CA that will run th
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William Van Beckum: Mountains Within Reach
©William Van Beckum, from the series “Guardrail: Iceland”
William Van Beckum is an artist committed to the essence of photography, containing the spirit of adventure and esca
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Amy Lovera in Conversation with Douglas Breault
©Amy Lovera, from the series “Securing Shadows”
Amy Lovera is a lively storyteller whose images percolate with vitality, inventing elements of characters and expressive setti
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Erika Kapin: Mom and Me
©Erika Kapin, from Mom & Me
This week are featuring work seen at the Los Angeles Center of Photography Exposure Reviews.
Mourning has no timetable. Grief is not the same for everyone. -
Wheaton Mahoney: The Forgotten and Nature’s Embrace
©Wheaton Mahoney, Suzie Sings Too 72d, from The Forgotten
This week are featuring work seen at the Los Angeles Center of Photography Exposure Reviews.
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Amy Herman: How to Dry a Knife
©Amy Herman, touching noses with dad, from How to Dry a Knife
This week are featuring work seen at the Los Angeles Center of Photography Exposure Reviews.
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Sandi Haber Fifield: The Thing in Front of You
©Sandi Haber Fifield, TY22_410, 44×78
Sandi Haber Fifield has a legacy of expanded seeing, using photographic images in new and experimental approaches.
Fine Art Photography Daily
Salua Ares: Absense as Form
Ricardo Miguel Hernández: When the memory turns to dust and Beyond Pain
Pamela Landau Connolly: Columbus Drive
KELIY ANDERSON-STALEY: Wilderness No longer at the Edge of Things
Jackie Mulder: Thought Trails
Bill Armstrong: All A Blur: Photographs from the Infinity Series
Interview with Maja Daniels: Gertrud, Natural Phenomena, and Alternative Timelines
Josh Aronson: Florida Boys
The Female Gaze: Lara Gilks - Just Outside the Frame
Accidental Evidence: Mike Mandel and Chantal Zakari
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Andrew Waits : The Middle Distance December 20th, 2025
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Photography Educator: Juan Orrantia December 19th, 2025
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Aaron Rothman: The Sierra December 18th, 2025
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The Female Gaze: Alysia Macaulay – Forms Uniquely Her Own December 17th, 2025
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Gadisse Lee: Self-Portraits December 16th, 2025
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Eli Durst: The Children’s Melody December 15th, 2025
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Martin Stranka: All My Strangers December 14th, 2025
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Overshoot #9: Liz Miller Kovacs December 13th, 2025
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Scott Offen: Grace December 12th, 2025
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Izabella Demavlys: Without A Face | Richards Family Prize December 11th, 2025
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The Family Album of Ralph Eugene Meatyard at the High Museum December 10th, 2025
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Paccarik Orue: El Muqui December 9th, 2025
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Kinga Owczennikow: Framing the World December 7th, 2025
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Richard Renaldi: Billions Served December 6th, 2025
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Ellen Harasimowicz and Linda Hoffman: In the Orchard December 5th, 2025
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Lauri Gaffin: Moving Still: A Cinematic Life Frame-by-Frame December 4th, 2025
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Elisabeth Nordeng Aanes: Ashes to Ashes December 3rd, 2025
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Ragne Kristine Sigmond: Portraits of Painterly Light December 2nd, 2025
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Mary Pat Reeve: Illuminating the Night December 1st, 2025
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Dani Tranchesi: Ordinary Miracles November 30th, 2025
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Salua Ares: Absense as Form November 29th, 2025
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Ricardo Miguel Hernández: When the memory turns to dust and Beyond Pain November 28th, 2025
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2025 What I’m Thankful For Exhibition November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 2 November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 3 November 27th, 2025
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2025 What I’m Thankful For Exhibition: Part 4 November 27th, 2025
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Pamela Landau Connolly: Columbus Drive November 26th, 2025
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Linda Foard Roberts: Lament November 25th, 2025
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Arnold Newman Prize: C. Rose Smith: Scenes of Self: Redressing Patriarchy November 24th, 2025
