-
David Freese: Iceland Wintertide
©David Freese, Iceland Wintertide Cover
Over the past years, I have featured a number of books by David Freese.
-
Tracy L Chandler: A Poor Sort of Memory
© Tracy L Chandler, Eli on ramp, 2021
Chantal Anderson sat down with fellow photographer, friend, and collaborator Tracy L Chandler, to discuss Chandler’s latest work, A Poor Sort
-
Linda Morrow: The Artist’s Book
Collection of artist’s books by Linda Morrow
We have spent the last month thinking about books and showcasing book publishers.
-
Focus on Ecuadorian Photographers: Isadora Romero
©Isadora Romero, PROLOGUE. Of a hundred pieces of land in Paraguay, 94 are used to grow transgenic monocultures sprinkled with agrotoxics and none of these products feed local people.
-
David Doubilet: Two Worlds: Above and Below the Sea
©David Doubilet, from Two Worlds: Above and Below the Sea published by Phaidon.
-
Film Photo Award – Fall 2021 Visionary Project Award: Magda Biernat
©Magda Biernat, Fathom Line #1, 2017
Over the coming days, we are thrilled to present the recipients of the Film Photo Award from the Fall 2021 submission period.
-
Torrance York: Art + Science Award – Honorable Mention
©Torrance York, Untitled, 0604, 2020 from the Semaphore project
In the Lenscratch call Art + Science Award: The Heart of the Matter, we asked photographers to consider a shifting perspect
-
South Korea Week: Han Sungpil: Fusing Future
©Han Sungpil. Fly High into the Blue Sky, 2012, 178x225cm, Chromogenic Print
“The Sea I Dreamt…..
-
Fred Mitchell: If You Go, All the Plants Will Die
When Fred Mitchell moved to Las Vegas, he noticed that all the plants around him seemed to be dead or dying. He was also working through the final stages of a failing relationship.
-
Digital Mediations: Penelope Umbrico: Range: of Masters of Photography
©Penelope Umbrico, Two Westons with Daido Moriyama 35mm Medium Format Superslide and lightleak multiexposure
Penelope Umbrico’s work is a complex study of digital technology’s effect
-
Alida Fish: The States Project: Delaware
©Alida Fish, Woman in Shadow, 2017
I’ve long admired Alida Fish’s prolific and sensitive reinvention of the photograph as both a subject and an object.











